by Kimberly Olson Fakih ‧ RELEASE DATE: May 1, 1994
Staying on in Iowa at her great-grandparents' farm while her parents find a home in NYC, where Dad has a lucrative new job, Trapp clings to the turf whose impending loss is entwined, for her, with ``Grandma'' and ``Grandpa's'' mortality—an idea given poignancy by the death, a year ago, of ``Nana Q,'' their daughter and Trapp's grandmother. Trapp, naturally solitary, thoughtful, and affectionate, pitches in with chores and observes her elders' happy 60-year relationship. Mystified at finding ancient carved initials—Grandpa's ``RH'' with ``GS,'' not Grandma's—she pieces together subtle clues (word choices, old photos) and arrives at a startling truth: Nana Q was adopted. This fact, which 50 years of rural reticence has rendered a secret, recasts Trapp's inner world, her concept of family, and her view of her birthplace (like the woman who bore Nana Q, she'll carry it in her heart, but it won't hold her). She also senses that her over-orderly mindset could be tempered by openness to chance. At this turning point in their history, Fakih's characters are leading fully examined (and discussed) lives; but though her narrative is leisurely, it holds interest with its unexpected flashes of humor and its engaging evocation of the Heartland and some of its sons and daughters, as well as the tantalizing mystery. A beautifully constructed book, rich in offbeat descriptions and exchanges that leave room for just the kind of serendipitous insights that ``GS''—who does turn up—extols. (Fiction. 10-14)
Pub Date: May 1, 1994
ISBN: 0-374-33209-6
Page Count: 166
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1994
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More by Kimberly Olson Fakih
BOOK REVIEW
by Kimberly Olson Fakih & illustrated by Tracey Campbell Pearson
by Andrew Clements & illustrated by Brian Selznick ‧ RELEASE DATE: June 1, 2001
A world-class charmer, Clements (The Janitor’s Boy, 2000, etc.) woos aspiring young authors—as well as grown up publishers, editors, agents, parents, teachers, and even reviewers—with this tongue-in-cheek tale of a 12-year-old novelist’s triumphant debut. Sparked by a chance comment of her mother’s, a harried assistant editor for a (surely fictional) children’s imprint, Natalie draws on deep reserves of feeling and writing talent to create a moving story about a troubled schoolgirl and her father. First, it moves her pushy friend Zoe, who decides that it has to be published; then it moves a timorous, second-year English teacher into helping Zoe set up a virtual literary agency; then, submitted pseudonymously, it moves Natalie’s unsuspecting mother into peddling it to her waspish editor-in-chief. Depicting the world of children’s publishing as a delicious mix of idealism and office politics, Clements squires the manuscript past slush pile and contract, the editing process, and initial buzz (“The Cheater grabs hold of your heart and never lets go,” gushes Kirkus). Finally, in a tearful, joyous scene—carefully staged by Zoe, who turns out to be perfect agent material: cunning, loyal, devious, manipulative, utterly shameless—at the publication party, Natalie’s identity is revealed as news cameras roll. Selznick’s gnomic, realistic portraits at once reflect the tale’s droll undertone and deftly capture each character’s distinct personality. Terrific for flourishing school writing projects, this is practical as well as poignant. Indeed, it “grabs hold of yourheart and never lets go.” (Fiction. 10-12)
Pub Date: June 1, 2001
ISBN: 0-689-82594-3
Page Count: 160
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2001
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BOOK REVIEW
by Andrew Clements ; illustrated by Brian Selznick
BOOK REVIEW
BOOK REVIEW
by Francesco D’Adamo ‧ RELEASE DATE: Nov. 1, 2003
This profoundly moving story is all the more impressive because of its basis in fact. Although the story is fictionalized, its most harrowing aspects are true: “Today, more than two hundred million children between the ages of five and seventeen are ‘economically active’ in the world.” Iqbal Masih, a real boy, was murdered at age 13. His killers have never been found, but it’s believed that a cartel of ruthless people overseeing the carpet industry, the “Carpet Mafia,” killed him. The carpet business in Pakistan is the backdrop for the story of a young Pakistani girl in indentured servitude to a factory owner, who also “owned” the bonds of 14 children, indentured by their own families for sorely needed money. Fatima’s first-person narrative grips from the beginning and inspires with every increment of pride and resistance the defiant Iqbal instills in his fellow workers. Although he was murdered for his efforts, Iqbal’s life was not in vain; the accounts here of children who were liberated through his and activist adults’ efforts will move readers for years to come. (Fiction. 10-14)
Pub Date: Nov. 1, 2003
ISBN: 0-689-85445-5
Page Count: 128
Publisher: Atheneum
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2003
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