Staying on in Iowa at her great-grandparents' farm while her parents find a home in NYC, where Dad has a lucrative new job, Trapp clings to the turf whose impending loss is entwined, for her, with ``Grandma'' and ``Grandpa's'' mortality—an idea given poignancy by the death, a year ago, of ``Nana Q,'' their daughter and Trapp's grandmother. Trapp, naturally solitary, thoughtful, and affectionate, pitches in with chores and observes her elders' happy 60-year relationship. Mystified at finding ancient carved initials—Grandpa's ``RH'' with ``GS,'' not Grandma's—she pieces together subtle clues (word choices, old photos) and arrives at a startling truth: Nana Q was adopted. This fact, which 50 years of rural reticence has rendered a secret, recasts Trapp's inner world, her concept of family, and her view of her birthplace (like the woman who bore Nana Q, she'll carry it in her heart, but it won't hold her). She also senses that her over-orderly mindset could be tempered by openness to chance. At this turning point in their history, Fakih's characters are leading fully examined (and discussed) lives; but though her narrative is leisurely, it holds interest with its unexpected flashes of humor and its engaging evocation of the Heartland and some of its sons and daughters, as well as the tantalizing mystery. A beautifully constructed book, rich in offbeat descriptions and exchanges that leave room for just the kind of serendipitous insights that ``GS''—who does turn up—extols. (Fiction. 10-14)
Pub Date: May 1, 1994
ISBN: 0-374-33209-6
Page Count: 166
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1994
BOOK REVIEW
Year-round fun.
Set in 1937 during the so-called “Roosevelt recession,” tight times compel Mary Alice, a Chicago girl, to move in with her grandmother, who lives in a tiny Illinois town so behind the times that it doesn’t “even have a picture show.”
This winning sequel takes place several years after A Long Way From Chicago (1998) leaves off, once again introducing the reader to Mary Alice, now 15, and her Grandma Dowdel, an indomitable, idiosyncratic woman who despite her hard-as-nails exterior is able to see her granddaughter with “eyes in the back of her heart.” Peck’s slice-of-life novel doesn’t have much in the way of a sustained plot; it could almost be a series of short stories strung together, but the narrative never flags, and the book, populated with distinctive, soulful characters who run the gamut from crazy to conventional, holds the reader’s interest throughout. And the vignettes, some involving a persnickety Grandma acting nasty while accomplishing a kindness, others in which she deflates an overblown ego or deals with a petty rivalry, are original and wildly funny. The arena may be a small hick town, but the battle for domination over that tiny turf is fierce, and Grandma Dowdel is a canny player for whom losing isn’t an option. The first-person narration is infused with rich, colorful language—“She was skinnier than a toothpick with termites”—and Mary Alice’s shrewd, prickly observations: “Anybody who thinks small towns are friendlier than big cities lives in a big city.”
Year-round fun. (Fiction. 11-13)Pub Date: Oct. 1, 2000
ISBN: 978-0-8037-2518-8
Page Count: 144
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2000
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The inevitable go-to for Percy’s legions of fans who want the stories behind his stories.
Percy Jackson takes a break from adventuring to serve up the Greek gods like flapjacks at a church breakfast.
Percy is on form as he debriefs readers concerning Chaos, Gaea, Ouranos and Pontus, Dionysus, Ariadne and Persephone, all in his dude’s patter: “He’d forgotten how beautiful Gaea could be when she wasn’t all yelling up in his face.” Here they are, all 12 Olympians, plus many various offspring and associates: the gold standard of dysfunctional families, whom Percy plays like a lute, sometimes lyrically, sometimes with a more sardonic air. Percy’s gift, which is no great secret, is to breathe new life into the gods. Closest attention is paid to the Olympians, but Riordan has a sure touch when it comes to fitting much into a small space—as does Rocco’s artwork, which smokes and writhes on the page as if hit by lightning—so readers will also meet Makaria, “goddess of blessed peaceful deaths,” and the Theban Teiresias, who accidentally sees Athena bathing. She blinds him but also gives him the ability to understand the language of birds. The atmosphere crackles and then dissolves, again and again: “He could even send the Furies after living people if they committed a truly horrific crime—like killing a family member, desecrating a temple, or singing Journey songs on karaoke night.”
The inevitable go-to for Percy’s legions of fans who want the stories behind his stories. (Mythology. 10-14)Pub Date: Aug. 19, 2014
ISBN: 978-1-4231-8364-8
Page Count: 336
Publisher: Disney-Hyperion
Review Posted Online: June 28, 2014
Kirkus Reviews Issue: July 15, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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