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JAKE'S THING

A savage, often unfunny and unfocused adieu to sex—at least as it's practiced in the "permissive society." Jake is a 59-year-old Oxford don (ancient Mediterranean history), and his "thing" is his penis, which has been failing him lately with fat wife Brenda. This problem takes him into the world of flaky psychotherapy. . . and pictorial pornography—since one of the measures recommended by smarmy, boyishly Irish Dr. Rosenberg is the study of dirty pictures "on at least three occasions for a minimum of fifteen minutes at a time. See that this leads to masturbation at least once, preferably twice." Jake finds today's gross porn thoroughly un-erotic; nor is he stimulated much by the rest of Dr. Rosenberg's therapeutic program: "nongenital sensate-focusing," writing out sex fantasies, monitoring sleep-time erections with a "nocturnal mensurator," and enduring the talky-touchy-feely of a "Workshop" encounter group. ("If there's one word that sums up everything that's gone wrong since the war, it's 'Workshop.' After 'Youth,' that is.") But Jake does soon find himself fully functional one surprising night up at Oxford—with an old flame who, though she inspires his quasi-lust, is otherwise a total disappointment: "I mistook her egotism for sparkle. . . her cheap jeering for healthy disrespect. . . ." In fact, Jake realizes how little he cares for women in general—Oxford is being picketed by feminists, Jake's wife takes off with a fatuous friend; and, when Jake's problem is at last diagnosed correctly (a treatable hormone problem), he does a run-down on female foulness and decides to leave well enough alone and remain contentedly impotent. Does all this work—as satire, character comedy, or polemic? Not really. Because Amis' primary targets are a bit dated (in the U.S. anyway) and obvious. Became Jake is an inconsistent alter ego, sometimes a clear mouthpiece (in tirades on today's sexual mores), sometimes a bit of a cartoon himself (in his self-proclaimed chauvinist-pigdom). And because Amis' shot-gun contempt—for illiterate students, bad cafeteria food, etc.—keeps pulling the whole book down to a level of unfocused tetchiness. The Amis prose glitters throughout as shark-toothily as ever, but the Amis bile isn't the geyser it once was-more like a leaky faucet.

Pub Date: June 26, 1980

ISBN: 0140050965

Page Count: 285

Publisher: Viking

Review Posted Online: March 19, 2012

Kirkus Reviews Issue: May 1, 1979

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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HOME FRONT

Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s...

 The traumatic homecoming of a wounded warrior.

The daughter of alcoholics who left her orphaned at 17, Jolene “Jo” Zarkades found her first stable family in the military: She’s served over two decades, first in the army, later with the National Guard. A helicopter pilot stationed near Seattle, Jo copes as competently at home, raising two daughters, Betsy and Lulu, while trying to dismiss her husband Michael’s increasing emotional distance. Jo’s mettle is sorely tested when Michael informs her flatly that he no longer loves her. Four-year-old Lulu clamors for attention while preteen Betsy, mean-girl-in-training, dismisses as dweeby her former best friend, Seth, son of Jo’s confidante and fellow pilot, Tami. Amid these challenges comes the ultimate one: Jo and Tami are deployed to Iraq. Michael, with the help of his mother, has to take over the household duties, and he rapidly learns that parenting is much harder than his wife made it look. As Michael prepares to defend a PTSD-afflicted veteran charged with Murder I for killing his wife during a dissociative blackout, he begins to understand what Jolene is facing and to revisit his true feelings for her. When her helicopter is shot down under insurgent fire, Jo rescues Tami from the wreck, but a young crewman is killed. Tami remains in a coma and Jo, whose leg has been amputated, returns home to a difficult rehabilitation on several fronts. Her nightmares in which she relives the crash and other horrors she witnessed, and her pain, have turned Jo into a person her daughters now fear (which in the case of bratty Betsy may not be such a bad thing). Jo can't forgive Michael for his rash words. Worse, she is beginning to remind Michael more and more of his homicide client. Characterization can be cursory: Michael’s earlier callousness, left largely unexplained, undercuts the pathos of his later change of heart. 

Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s aftermath.

Pub Date: Jan. 31, 2012

ISBN: 978-0-312-57720-9

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Dec. 18, 2011

Kirkus Reviews Issue: Jan. 1, 2012

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