In this bilious and booze-sodden narrative (winner of the 1986 Booker Prize), Amis once again transforms insult, ridicule, and reaction into high comic art, much of it at the expense of his own kind for a change. But that explains the unusual degree of sympathy also in evidence here for the like-minded Welshmen (and women) who endure, with varying degrees of grace, the onslaught of old age. Malcolm Cellan-Davies, afflicted with bad teeth and bowel problems, spends his retirement translating Welsh verse, and meeting his mates, all ex-members of a defunct squash club, at a pub named "the Bible." These daily "Bible sessions" include Charlie Norris, an overweight, alcoholic restaurateur, and Peter Thomas, also obese, who's always on the lookout for "vulgarity, affectation, and shoddiness." All of which seem to arrive in South Wales with the return, after 30 years, of their old friend, Alun Weaver, a popular poet and, in one friend's words, an "up-market media Welshman" who has made quite a career of pontificating about "things Welsh" on TV. In search of his "roots," this "second-rate bloody ersatz" version of the justly celebrated Welsh poet, Brydan, is more interested in planting than sowing. Malcolm's wife, Gwen, Charlie's Sophie, and a number of other old flames all welcome the vain and selfish writer into their beds, thus bringing out into the open all the pent-up problems of these superannuated swingers. When the white-haired Don Juan dies an untimely death ("a rather raw occasion all round"), his charming and still beautiful wife, Rhiannon, rekindles a long-cherished affection of her own for Peter, who's been stuck for years in a loveless marriage with Muriel, a tart-tongued harridan in the Amis tradition. Plenty of boisterous pub crawls and witty chin-wags add up to vintage Amis.
Pub Date: March 1, 1987
ISBN: 0060971460
Page Count: 294
Publisher: Summit/Simon & Schuster
Review Posted Online: March 19, 2012
Kirkus Reviews Issue: Feb. 15, 1987
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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