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THE MOST DAZZLING GIRL IN BERLIN

Wunderbar!

“I shiver. / How much has changed / in a week.” And we all shivered with her.

Recounting the months before Hitler’s rise to power in 1932, Catholic orphan Hilde, an 18-year-old resident of Berlin, documents her life in a series of free-verse poems. Her story begins as she leaves the orphanage and follows her through a brief period of homelessness and unemployment before she finds the Café Lila, a queer nightclub that ultimately provides employment, security, and a sense of community previously missing from Hilde’s life. It also brings her in contact with gorgeous Rosa, a Jewish performer and waitress with a vivacious attitude who quickly captures Hilde’s heart. Astute readers will understand what horrible fates await many of the characters but will be captivated by the events that Hilde observes, many of which still echo today. Book clubs will find a lot to discuss in Hilde’s story, and educators won’t need to work hard to generate conversations about equality, authoritarianism, and the role of minorities in democracy. The free-form verse is inviting and masterfully captures the mood and times in sparse poetry, making this work equally appealing for pleasure reading. Educators and history buffs will appreciate the thorough and informative backmatter, which includes selected sources in both English and German, a glossary of terms, and an author’s note that provides valuable context and recommends more information about the time period.

Wunderbar! (Verse historical fiction. 12-adult)

Pub Date: March 29, 2022

ISBN: 978-0-358-44890-7

Page Count: 416

Publisher: Versify/HarperCollins

Review Posted Online: Jan. 10, 2022

Kirkus Reviews Issue: Feb. 1, 2022

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PEMMICAN WARS

A GIRL CALLED ECHO, VOL. I

A sparse, beautifully drawn story about a teen discovering her heritage.

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In this YA graphic novel, an alienated Métis girl learns about her people’s Canadian history.

Métis teenager Echo Desjardins finds herself living in a home away from her mother, attending a new school, and feeling completely lonely as a result. She daydreams in class and wanders the halls listening to a playlist of her mother’s old CDs. At home, she shuts herself up in her room. But when her history teacher begins to lecture about the Pemmican Wars of early 1800s Saskatchewan, Echo finds herself swept back to that time. She sees the Métis people following the bison with their mobile hunting camp, turning the animals’ meat into pemmican, which they sell to the Northwest Company in order to buy supplies for the winter. Echo meets a young girl named Marie, who introduces Echo to the rhythms of Métis life. She finally understands what her Métis heritage actually means. But the joys are short-lived, as conflicts between the Métis and their rivals in the Hudson Bay Company come to a bloody head. The tragic history of her people will help explain the difficulties of the Métis in Echo’s own time, including those of her mother and the teen herself. Accompanied by dazzling art by Henderson (A Blanket of Butterflies, 2017, etc.) and colorist Yaciuk (Fire Starters, 2016, etc.), this tale is a brilliant bit of time travel. Readers are swept back to 19th-century Saskatchewan as fully as Echo herself. Vermette’s (The Break, 2017, etc.) dialogue is sparse, offering a mostly visual, deeply contemplative juxtaposition of the present and the past. Echo’s eventual encounter with her mother (whose fate has been kept from readers up to that point) offers a powerful moment of connection that is both unexpected and affecting. “Are you…proud to be Métis?” Echo asks her, forcing her mother to admit, sheepishly: “I don’t really know much about it.” With this series opener, the author provides a bit more insight into what that means.

A sparse, beautifully drawn story about a teen discovering her heritage.

Pub Date: March 15, 2018

ISBN: 978-1-55379-678-7

Page Count: 48

Publisher: HighWater Press

Review Posted Online: Feb. 28, 2018

Kirkus Reviews Issue: May 1, 2018

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RED, WHITE, AND WHOLE

An intimate novel that beautifully confronts grief and loss.

It’s 1983, and 13-year-old Indian American Reha feels caught between two worlds.

Monday through Friday, she goes to a school where she stands out for not being White but where she has a weekday best friend, Rachel, and does English projects with potential crush Pete. On the weekends, she’s with her other best friend, Sunita (Sunny for short), at gatherings hosted by her Indian community. Reha feels frustrated that her parents refuse to acknowledge her Americanness and insist on raising her with Indian values and habits. Then, on the night of the middle school dance, her mother is admitted to the hospital, and Reha’s world is split in two again: this time, between hospital and home. Suddenly she must learn not just how to be both Indian and American, but also how to live with her mother’s leukemia diagnosis. The sections dealing with Reha’s immigrant identity rely on oft-told themes about the overprotectiveness of immigrant parents and lack the nuance found in later pages. Reha’s story of her evolving relationships with her parents, however, feels layered and real, and the scenes in which Reha must grapple with the possible loss of a parent are beautifully and sensitively rendered. The sophistication of the text makes it a valuable and thought-provoking read even for those older than the protagonist.

An intimate novel that beautifully confronts grief and loss. (Verse novel. 11-15)

Pub Date: Feb. 2, 2021

ISBN: 978-0-06-304742-6

Page Count: 224

Publisher: Quill Tree Books/HarperCollins

Review Posted Online: Nov. 26, 2020

Kirkus Reviews Issue: Dec. 15, 2020

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