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HALF-TRUTHS AND BRAZEN LIES

AN HONEST LOOK AT LYING

Yes, sometimes lies grease the wheels—“society would collapse if we told the truth all the time,” say some experts. You...

We all lie. We can’t help it.

It is a wide, wide, wide, wide world of fibbery out there. “It’s central to human nature,” writes Vermond in this intuitively clear survey of the good, bad, and ugly manifestations of lying. A lie is a falsity with the intent to deceive. The thing is, and this is the beauty of Vermond’s approach, there really is no gray area: we know bad lies when we speak them, and there are many kinds. There are cheating, plagiarism, forgery, and wild exaggeration, but there are also instances of lying to be kind or polite, or to be outrageous all in fun, and “most people agree that lying is justified if something terrible would happen otherwise.” (Yes, sir, Anne Frank is up in the attic.) So, clearly, not all lies are immoral or unethical, quite the opposite. Don’t rely on body language or polygraphs to out a lie, both of which are often mistaken. A society relies on trust, writes Vermond, a generalized trust, because most people are honest most of the time. Hammer’s comic-strip–style artwork aptly conveys a kind of agelessness to the proceedings, making it clear that lying is a timeless phenomenon.

Yes, sometimes lies grease the wheels—“society would collapse if we told the truth all the time,” say some experts. You wouldn’t want that to happen, so let Vermond be your guide. (Nonfiction. 10-14)

Pub Date: April 15, 2016

ISBN: 978-1-77147-146-6

Page Count: 48

Publisher: Owlkids Books

Review Posted Online: Jan. 8, 2016

Kirkus Reviews Issue: Jan. 15, 2016

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THE SCHOOL FOR GOOD AND EVIL

From the School for Good and Evil series , Vol. 1

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.

Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.

Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and  her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)

Pub Date: May 14, 2013

ISBN: 978-0-06-210489-2

Page Count: 496

Publisher: Harper/HarperCollins

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: April 15, 2013

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DRAMA

Brava!

From award winner Telgemeier (Smile, 2010), a pitch-perfect graphic novel portrayal of a middle school musical, adroitly capturing the drama both on and offstage.

Seventh-grader Callie Marin is over-the-moon to be on stage crew again this year for Eucalyptus Middle School’s production of Moon over Mississippi. Callie's just getting over popular baseball jock and eighth-grader Greg, who crushed her when he left Callie to return to his girlfriend, Bonnie, the stuck-up star of the play. Callie's healing heart is quickly captured by Justin and Jesse Mendocino, the two very cute twins who are working on the play with her. Equally determined to make the best sets possible with a shoestring budget and to get one of the Mendocino boys to notice her, the immensely likable Callie will find this to be an extremely drama-filled experience indeed. The palpably engaging and whip-smart characterization ensures that the charisma and camaraderie run high among those working on the production. When Greg snubs Callie in the halls and misses her reference to Guys and Dolls, one of her friends assuredly tells her, "Don't worry, Cal. We’re the cool kids….He's the dork." With the clear, stylish art, the strongly appealing characters and just the right pinch of drama, this book will undoubtedly make readers stand up and cheer.

Brava!  (Graphic fiction. 10-14)

Pub Date: Sept. 1, 2012

ISBN: 978-0-545-32698-8

Page Count: 240

Publisher: Graphix/Scholastic

Review Posted Online: July 21, 2012

Kirkus Reviews Issue: Aug. 1, 2012

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