by Kirby Larson & illustrated by Rosanne Litzinger ‧ RELEASE DATE: Sept. 15, 2000
This tale tells of how a crabby old woman was transformed into, if not the epitome of sweetness, at least a pleasingly tart character, while a delight in language is evident everywhere throughout the book. Griselda is the crab's name. She lives alone and is known far and wide as having a tongue that smote its victims like a bullwhip. Of the Lord Mayor: “A donkey on two legs is still a donkey.” Of her neighbors: “At least my words are not all vine and no fruit.” Still, her loneliness hurts, but there was nothing for it until Griselda curbed her grumping. “Her tongue had nettled too many for too long. Even the village priest left her out of his prayers.” One night, an old woman wearing a lovely kerchief knocks on her door and asks for shelter. Griselda grudgingly complies and is given the scarf the next morning in return. She is told the scarf is magic, but will hear none of it. Yet, as she makes her rounds in town, ready to berate all and sundry, nothing but kind words pass her lips: “Your kind compliment is nearly as delicious as your bread,” or “My aches and pains vanish when I meet an old friend.” People are astounded by the change (as is Griselda, who can’t believe what she is saying, and is none too happy about it), but they are ready to accept her into their lives. And when they come to pay visits the next day, Griselda greets them with warmth and politeness, even though she has lost the scarf. She still finds time for a little sass—of the mayor helping her gather eggs: “Two heads are better than one. Even if one is a cabbagehead.” The antique turns of phrase sound like music when read aloud, and who can say the message is not a good one to repeat: It’s as easy to be wickedly funny as wickedly mean. Litzinger’s artwork, with its pastel shades, lovely patterning, and homespun characters, is an added bonus (The Old Woman and Her Pig, 1993). (Picture book. 4-8)
Pub Date: Sept. 15, 2000
ISBN: 0-8234-1473-6
Page Count: 32
Publisher: Holiday House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2000
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by Kobi Yamada ; illustrated by Natalie Russell ‧ RELEASE DATE: March 1, 2017
A sweet, soft conversation starter and a charming gift.
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A paean to teachers and their surrogates everywhere.
This gentle ode to a teacher’s skill at inspiring, encouraging, and being a role model is spoken, presumably, from a child’s viewpoint. However, the voice could equally be that of an adult, because who can’t look back upon teachers or other early mentors who gave of themselves and offered their pupils so much? Indeed, some of the self-aware, self-assured expressions herein seem perhaps more realistic as uttered from one who’s already grown. Alternatively, readers won’t fail to note that this small book, illustrated with gentle soy-ink drawings and featuring an adult-child bear duo engaged in various sedentary and lively pursuits, could just as easily be about human parent- (or grandparent-) child pairs: some of the softly colored illustrations depict scenarios that are more likely to occur within a home and/or other family-oriented setting. Makes sense: aren’t parents and other close family members children’s first teachers? This duality suggests that the book might be best shared one-on-one between a nostalgic adult and a child who’s developed some self-confidence, having learned a thing or two from a parent, grandparent, older relative, or classroom instructor.
A sweet, soft conversation starter and a charming gift. (Picture book. 4-7)Pub Date: March 1, 2017
ISBN: 978-1-943200-08-5
Page Count: 32
Publisher: Compendium
Review Posted Online: Dec. 13, 2016
Kirkus Reviews Issue: Jan. 1, 2017
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by Amy Krouse Rosenthal ; illustrated by Tom Lichtenheld ‧ RELEASE DATE: April 1, 2015
Although the love comes shining through, the text often confuses in straining for patterned simplicity.
A collection of parental wishes for a child.
It starts out simply enough: two children run pell-mell across an open field, one holding a high-flying kite with the line “I wish you more ups than downs.” But on subsequent pages, some of the analogous concepts are confusing or ambiguous. The line “I wish you more tippy-toes than deep” accompanies a picture of a boy happily swimming in a pool. His feet are visible, but it's not clear whether he's floating in the deep end or standing in the shallow. Then there's a picture of a boy on a beach, his pockets bulging with driftwood and colorful shells, looking frustrated that his pockets won't hold the rest of his beachcombing treasures, which lie tantalizingly before him on the sand. The line reads: “I wish you more treasures than pockets.” Most children will feel the better wish would be that he had just the right amount of pockets for his treasures. Some of the wordplay, such as “more can than knot” and “more pause than fast-forward,” will tickle older readers with their accompanying, comical illustrations. The beautifully simple pictures are a sweet, kid- and parent-appealing blend of comic-strip style and fine art; the cast of children depicted is commendably multiethnic.
Although the love comes shining through, the text often confuses in straining for patterned simplicity. (Picture book. 5-8)Pub Date: April 1, 2015
ISBN: 978-1-4521-2699-9
Page Count: 40
Publisher: Chronicle Books
Review Posted Online: Feb. 15, 2015
Kirkus Reviews Issue: March 1, 2015
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