Reassurance for little ones facing an uncertain world.
In this Australian import, an elder urges the community to lean on Indigenous wisdom in a changing world.
The older adult and a child wade into a rushing stream, peering curiously at the life around them: “Roam the water with me. We are here to learn.” As the narrative progresses with a series of similar invitations, the lens widens to include more of the pair’s community and their environment. Over time, construction machinery and debris appear. Amid landscapes of urban decay, Saunders (Gunai) uses weaving as a metaphor for community-building, demonstrating that Indigenous knowledge can be a source of connection and power as we work toward creating a better world. One spread is dominated by the snarl of a vacant lot crowded with rubbish and a construction crane, but the richly textured images draw readers’ eyes to the edge of the page, where a group of neighbors harvest rushes growing on the side of a road. Blackwood’s art underscores hope and opportunities to help cultivate the land. Diverse community members work together to gather natural materials, process fiber, and weave vibrant textiles, and as the book reaches a heartwarming conclusion, their vision is at last realized. Though the complexities of Saunders’ metaphor may be lost on the youngest readers, all will feel empowered by her overarching message, summed up in her final words: “We are here to fly, here to shape this world together.”
Reassurance for little ones facing an uncertain world. (author’s and illustrator’s notes) (Picture book. 4-8)Pub Date: March 4, 2025
ISBN: 9781646145072
Page Count: 32
Publisher: Levine Querido
Review Posted Online: Dec. 14, 2024
Kirkus Reviews Issue: Jan. 15, 2025
A sweet notion that falls flat.
A hit song reimagined as a book about parental love.
Featured in The Twilight Saga: Breaking Dawn—Part 1, Perri’s “A Thousand Years” deals with the speaker’s fear of romantic love. In picture-book form, it explores a parent’s unwavering love for a child, who grows from an infant into a toddler over the course of the narrative. The caregiver expresses awe when the youngster learns to stand and fear that the child might fall while beginning to walk. “I have spent every day waiting for you,” the parent says. “Darling, don’t be afraid.” What the child might fear isn’t clear from the joyful balloon- and rainbow-filled illustrations. The story borders on cloying, and words that might work when sung and accompanied by music don’t sound fresh on the page: “Time goes by. / You grow ever stronger as you fly.” The refrain, however, is a lovely sentiment: “I have loved you for a thousand years. / I’ll love you for a thousand more.” Perri’s legion of fans may flock to this version, illustrated by Ruiz with sparkling stars, bubbles, and big-eyed toddlers, but it doesn’t hold together as a narrative or an ode, as it’s billed, and it’s a long way from the original song. The child is tan-skinned, the parent is lighter-skinned, and other characters are diverse.
A sweet notion that falls flat. (Picture book. 4-7)Pub Date: April 1, 2025
ISBN: 9780593622599
Page Count: 32
Publisher: Viking
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
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