A lively exploration of recent women’s history as well as the creation of an iconic female superhero.
“As lovely as Aphrodite—as wise as Athena—with the speed of Mercury and the strength of Hercules….”
Wonder Woman was born when her creator, Bill Marston, decided that children needed a female superhero. But the male publishing world laughed at the idea, so Marston needed to find a way to be incredibly convincing—and he did, eventually bringing Wonder Woman into the mainstream and hiring women writers and artists to help him do so. Told entirely as a comic, complete with panels, speech bubbles, biographical text boxes, captions, and sound effects, the thought-provoking and accessible story accompanied by engaging illustrations describes how the lives of women in the U.S. changed during and after World War II and how Wonder Woman’s character embodied many of these changes. It chronicles the dilution of her personality in the 1950s, the integration of the comic into Ms. magazine in the ’60s, the ’70s television show that showed execs people would tune in for a female lead, and the woman-directed 2017 movie. While the retro illustrations focus on the all-White primary cast (helpfully labeling all the White men at work making comics in an early scene), people of color are included throughout. Whether or not they already know the character, children will be drawn into this informative tale, which is inspiring and entertaining, much like Wonder Woman herself. (This book was reviewed digitally.)
A lively exploration of recent women’s history as well as the creation of an iconic female superhero. (author’s notes, source notes, selected reading) (Informational picture book. 5-10)Pub Date: Sept. 28, 2021
ISBN: 978-0-358-23842-3
Page Count: 40
Publisher: Clarion Books
Review Posted Online: July 26, 2021
Kirkus Reviews Issue: Aug. 15, 2021
BOOK REVIEW
BOOK REVIEW
A unique angle on a watershed moment in the civil rights era.
The New Orleans school child who famously broke the color line in 1960 while surrounded by federal marshals describes the early days of her experience from a 6-year-old’s perspective.
Bridges told her tale to younger children in 2009’s Ruby Bridges Goes to School, but here the sensibility is more personal, and the sometimes-shocking historical photos have been replaced by uplifting painted scenes. “I didn’t find out what being ‘the first’ really meant until the day I arrived at this new school,” she writes. Unfrightened by the crowd of “screaming white people” that greets her at the school’s door (she thinks it’s like Mardi Gras) but surprised to find herself the only child in her classroom, and even the entire building, she gradually realizes the significance of her act as (in Smith’s illustration) she compares a small personal photo to the all-White class photos posted on a bulletin board and sees the difference. As she reflects on her new understanding, symbolic scenes first depict other dark-skinned children marching into classes in her wake to friendly greetings from lighter-skinned classmates (“School is just school,” she sensibly concludes, “and kids are just kids”) and finally an image of the bright-eyed icon posed next to a soaring bridge of reconciliation. (This book was reviewed digitally.)
A unique angle on a watershed moment in the civil rights era. (author and illustrator notes, glossary) (Autobiographical picture book. 6-8)Pub Date: Sept. 6, 2022
ISBN: 978-1-338-75388-2
Page Count: 48
Publisher: Orchard/Scholastic
Review Posted Online: June 21, 2022
Kirkus Reviews Issue: July 15, 2022
PERSPECTIVES
Blandly inspirational fare made to evoke equally shrink-wrapped responses.
An NBA star pays tribute to the influence of his grandfather.
In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)
Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)Pub Date: Jan. 10, 2023
ISBN: 978-1-250-81003-8
Page Count: 32
Publisher: Roaring Brook Press
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
BOOK REVIEW
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