by Kitty Crowther ; illustrated by Kitty Crowther ‧ RELEASE DATE: Sept. 1, 2018
A visually distinct, original, pleasing bedtime book that has the feel of a classic
A quirky charmer of a bedtime book.
The eponymous stories are not books read to a child—rather, Crowther’s Mother Bear tells Little Bear three stories orally. It’s clear this is a familiar routine in their cozy home in the woods, since Little Bear asks for each story with descriptions that indicate familiarity: “The one that says it’s time to go to sleep,” and “The little girl with a sword who gets lost,” and “The one with the man in a big coat who never sleeps!” Mother Bear indulges each request, and the accompanying illustrations shift from depictions of the two of them in Little Bear’s room to ones that present each story’s world. While the palette is remarkably distinct, with a bright pink dominating the cover and highlighting interior spreads, the art style has a subtle, fantastic feel to it, as if it stepped out of Tove Jansson’s work—or as if a Moomin could easily step into them. At the book’s end, Little Bear imagines all the story characters coming to cuddle up in bed, and then Mother Bear goes to sit by the fire. In this closing spread she holds a book, its cover illustrated with those same characters, offering the reader a cozy metafictive conclusion.
A visually distinct, original, pleasing bedtime book that has the feel of a classic . (Picture book. 3-8)Pub Date: Sept. 1, 2018
ISBN: 978-1-776571-97-0
Page Count: 64
Publisher: Gecko Press
Review Posted Online: June 10, 2018
Kirkus Reviews Issue: July 1, 2018
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by Ulf Stark ; illustrated by Kitty Crowther ; translated by Julia Marshall
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by Kitty Crowther ; illustrated by Kitty Crowther ; translated by Claudia Zoe Bedrick
by Amy Krouse Rosenthal ; illustrated by Tom Lichtenheld ‧ RELEASE DATE: April 1, 2015
Although the love comes shining through, the text often confuses in straining for patterned simplicity.
A collection of parental wishes for a child.
It starts out simply enough: two children run pell-mell across an open field, one holding a high-flying kite with the line “I wish you more ups than downs.” But on subsequent pages, some of the analogous concepts are confusing or ambiguous. The line “I wish you more tippy-toes than deep” accompanies a picture of a boy happily swimming in a pool. His feet are visible, but it's not clear whether he's floating in the deep end or standing in the shallow. Then there's a picture of a boy on a beach, his pockets bulging with driftwood and colorful shells, looking frustrated that his pockets won't hold the rest of his beachcombing treasures, which lie tantalizingly before him on the sand. The line reads: “I wish you more treasures than pockets.” Most children will feel the better wish would be that he had just the right amount of pockets for his treasures. Some of the wordplay, such as “more can than knot” and “more pause than fast-forward,” will tickle older readers with their accompanying, comical illustrations. The beautifully simple pictures are a sweet, kid- and parent-appealing blend of comic-strip style and fine art; the cast of children depicted is commendably multiethnic.
Although the love comes shining through, the text often confuses in straining for patterned simplicity. (Picture book. 5-8)Pub Date: April 1, 2015
ISBN: 978-1-4521-2699-9
Page Count: 40
Publisher: Chronicle Books
Review Posted Online: Feb. 15, 2015
Kirkus Reviews Issue: March 1, 2015
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by Amy Krouse Rosenthal & Christy Webster ; illustrated by Brigette Barrager & Chiara Fiorentino
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by Tom Lichtenheld & Amy Krouse Rosenthal ; illustrated by Tom Lichtenheld
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by Amy Krouse Rosenthal ; illustrated by Mike Yamada
by Chloe Perkins ; illustrated by Sandra Equihua ‧ RELEASE DATE: Sept. 13, 2016
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
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adapted by Hannah Eliot ; illustrated by Nivea Ortiz
by Chloe Perkins ; illustrated by Dinara Mirtalipova
by Chloe Perkins ; illustrated by Archana Sreenivasan
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by Chloe Perkins ; illustrated by Dinara Mirtalipova
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by Chloe Perkins ; illustrated by Archana Sreenivasan
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