An intimate, honest exploration of motherhood, compassionate and beautifully written.
In this memoirlike novel by prizewinning Norwegian author Skomsvold, a writer confides a stream of thoughts and fears to her second child, a baby.
Affected by memories of a debilitating illness, and struggling with anxiety and depression, the narrator is terrified of failing as a mother. "I’m useless when it comes to looking after things. I ruin everything, especially the things I treasure most." Before falling in love with her husband, Bo, she'd been resigned to not having children. After the birth of her first son, she became convinced her brain was altered. "The only thing I managed to write was that I was crying. I’m crying, crying all the time, I wrote." Now, with her second son, she's determined to return to writing. "I wake up in the mornings and look at you and say, today we must work, little one! It was as if you had to come, as if I had to have you to tell you all these things, you had to come and create another new beginning so that I could see in some reasonably clear light the years that went before, and see the change that has taken place." The book, loosely addressed to the baby, details her struggles and anxieties, family history, moments of both panic and calm. She tells him about a beloved aunt, about her and Bo's courtship, the story of a friend who committed suicide. The vivid, fragmentary narrative is shot through with a sense of the passing of time: "I didn’t realize how fast everything changes, how briefly the magnolia trees are in bloom, how quickly the pinched-handkerchief bracts of the dove tree disappear. I’d sat with the child in my arms all through the spring, the summer, the autumn; he was in my arms and in my heart and all the time he was changing ever so slightly. There was something new by the minute, and something else that was lost, and before I knew it that time was gone." As she writes her thoughts and observations, we witness her slowly gaining a greater sense of equanimity. "Fortunately it’s not just happy stories that end well."
An intimate, honest exploration of motherhood, compassionate and beautifully written.Pub Date: Oct. 12, 2021
ISBN: 978-1-948830-40-9
Page Count: 160
Publisher: Open Letter
Review Posted Online: Aug. 17, 2021
Kirkus Reviews Issue: Sept. 1, 2021
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
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