A timely page-turner that will resonate with readers.
A school shooting survivor is determined to correct untrue stories about the tragic event.
Senior Leanne Bauer faces the third anniversary of the incident that took nine lives at rural Virgil County High School. Afterward, tales spread that her best friend, Sarah, defended her Christian faith before she was murdered, something eyewitness Lee knows to be untrue. However, Sarah’s religious family and the community at large embrace that story. When fellow survivor Denny asks Lee to read his college scholarship letter, she is inspired to ask the other eyewitnesses to write their stories too. One of the six, Kellie, has moved away, her family hounded when she insisted that the cross necklace found at the site actually belonged to her, not Sarah. Lee becomes convinced that she must get Kellie to participate if the project is to be complete. Echoing highly publicized tragedies, this taut, emotional story goes behind the headlines to reveal lives impacted by school violence. The characterizations are strong: Gay, Latinx Eden struggles with guilt over her difficult relationship with her murdered cousin. White, fervently Christian Ashley is a staunch supporter of the accepted narrative, while Miles, white and already troubled before, is even more withdrawn. Denny, African-American and blind, appears the most grounded, though readers only glimpse his backstory. White, working-class Lee is a nuanced and believable protagonist.
A timely page-turner that will resonate with readers. (Fiction. 12-18)Pub Date: Aug. 28, 2018
ISBN: 978-1-338-18652-9
Page Count: 336
Publisher: Scholastic
Review Posted Online: May 27, 2018
Kirkus Reviews Issue: June 15, 2018
Raw, delicate, and deeply caring.
When Death-Cast doesn’t call, fate intertwines the lives of two boys, both haunted by their pasts and with futures they can’t escape.
In this third installment of the series that opened with 2017’s They Both Die at the End, Paz Dario waits every night for Death-Cast to call—as it should have for his father nearly 10 years ago, when Paz shot him to save his mother’s life. But the call never comes. Death-Cast killed Paz’s dreams of an acting career: No one will hire him now because the world sees him as a villain. When Paz tries (not for the first time) to put an end to his suffering, an unexpected encounter with Alano Rosa, the heir of Death-Cast, stops him. Both in a place of desperation, Alano and Paz sign a contract to live for Begin Days instead of waiting for their End Days. As suspenseful and emotionally wrenching as the previous titles in the series, this new installment explores heavy themes of abuse, mental health, self-harm, and suicide. Paz grapples with a recent diagnosis of borderline personality disorder. Silvera surrounds Alano and Paz with a web of complex relationships. Although the protagonists fall fast for one another and form a deep connection over Alano’s desire to support Paz, Silvera emphasizes the importance of professional help. Both Alano and Paz have Puerto Rican heritage. The cliffhanger ending promises more to come.
Raw, delicate, and deeply caring. (content warning, resources) (Speculative fiction. 14-18)Pub Date: May 6, 2025
ISBN: 9780063240858
Page Count: 720
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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