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KILLING SHAKESPEARE

Conceptually interesting but excessively convoluted.

Contemporary Ontario teenagers stumble across a mysterious time-travel device and wind up stranded in Elizabethan England.

Nathan, Isabel, and Suresh, a motley group of misfits, are trying to go back in time to the year 1613. Nathan, who got caught cheating in English class, wants to make sure Shakespeare’s plays are destroyed in the Globe Theatre fire so no one will ever have to study them. Isabel longs to meet her deceased English professor father’s literary hero. And Suresh, who threw a time-traveler party inspired by Stephen Hawking, “seems game and needs no convincing.” But the trio instead accidentally land in 1592—and lose their time machine. Japanese Canadian Nathan and Sri Lankan Canadian Suresh soon find that the racism they face in modern times is just as prevalent and dangerous in the 16th century (Isabel is white). The teens encounter assorted historical figures, including astronomer John Dee and explorer Sir Francis Drake, as well as the titular playwright. Unfortunately, the plot wanders incomprehensibly at times, dropping plot threads; the confusion is made worse by the difficulty of distinguishing among the multiple narrators’ voices. Kankesan never establishes a clear, cohesive tone for the novel and instead bounces unpredictably from irreverent comedy to treatises on colonialism to scientific musings on the space-time continuum.

Conceptually interesting but excessively convoluted. (discussion questions) (Fiction. 12-18)

Pub Date: Nov. 5, 2024

ISBN: 9781774151624

Page Count: 272

Publisher: Mawenzi House

Review Posted Online: Sept. 14, 2024

Kirkus Reviews Issue: Oct. 15, 2024

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SOLO

A contemporary hero’s journey, brilliantly told.

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The 17-year-old son of a troubled rock star is determined to find his own way in life and love.

On the verge of adulthood, Blade Morrison wants to leave his father’s bad-boy reputation for drug-and-alcohol–induced antics and his sister’s edgy lifestyle behind. The death of his mother 10 years ago left them all without an anchor. Named for the black superhero, Blade shares his family’s connection to music but resents the paparazzi that prevent him from having an open relationship with the girl that he loves. However, there is one secret even Blade is unaware of, and when his sister reveals the truth of his heritage during a bitter fight, Blade is stunned. When he finally gains some measure of equilibrium, he decides to investigate, embarking on a search that will lead him to a small, remote village in Ghana. Along the way, he meets people with a sense of purpose, especially Joy, a young Ghanaian who helps him despite her suspicions of Americans. This rich novel in verse is full of the music that forms its core. In addition to Alexander and co-author Hess’ skilled use of language, references to classic rock songs abound. Secondary characters add texture to the story: does his girlfriend have real feelings for Blade? Is there more to his father than his inability to stay clean and sober? At the center is Blade, fully realized and achingly real in his pain and confusion.

A contemporary hero’s journey, brilliantly told. (Verse fiction. 14-adult)

Pub Date: Aug. 1, 2017

ISBN: 978-0-310-76183-9

Page Count: 464

Publisher: Blink

Review Posted Online: April 30, 2017

Kirkus Reviews Issue: May 15, 2017

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POWERLESS

From the Powerless Trilogy series , Vol. 1

A lackluster and sometimes disturbing mishmash of overused tropes.

The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.

Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.

A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)

Pub Date: Nov. 7, 2023

ISBN: 9798987380406

Page Count: 538

Publisher: Simon & Schuster

Review Posted Online: Sept. 9, 2023

Kirkus Reviews Issue: Oct. 1, 2023

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