An introspective memoir full of love and meditation.
A feminist odyssey introduces readers to new landscapes, new friends, and new questions.
Comer, author of Surfer Girls in the New World Order and Landscapes of the New West: Gender and Geography in Contemporary Women’s Writing, tackles her subject as a never-ending project rather than an ultimate guide to the complexity of Western feminism. Using the metaphor of travel and road trips (à la Thelma and Louise), she guides the reader through different interviews with prominent feminists. Comer does not look at Western feminism as necessarily a sector of feminism that upholds Western ideals, but more as a geographical location with many different ideas and perspectives. Topics such as “The West Coast Women’s Music Festival,” circa 1981, at which naked women dance, swim, and sing with glee, give the book a down-to-earth vibe. Comer adds photos of the natural world—explaining how each person she interviews connects with the environment. The reader is taken on a trip through North America, mostly in the Southwest. At a certain point in this adventure, Comer realizes it has become exactly that. She writes about “slow scholarship,” which contradicts capitalization’s fast-paced culture. “I am good at being a grown up, the oldest child, the mother who balances, the university citizen,” she writes. “It’s time to figure out an alternative that is not a Band-Aid, figure out something real.” Somewhere during this feminist road trip, the reader sees a woman free herself. Comer presents the reader with the list of questions she asks her interviewees, urging us to engage thoughtfully. The reader isn’t just a silent spectator, but a mindful participant.
An introspective memoir full of love and meditation.Pub Date: Nov. 1, 2024
ISBN: 9781496229533
Page Count: 290
Publisher: Bison/Univ. of Nebraska
Review Posted Online: Sept. 14, 2024
Kirkus Reviews Issue: Oct. 15, 2024
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
A revelatory meditation on shattering journeys.
Bearing witness to oppression.
Award-winning journalist and MacArthur Fellow Coates probes the narratives that shape our perception of the world through his reports on three journeys: to Dakar, Senegal, the last stop for Black Africans “before the genocide and rebirth of the Middle Passage”; to Chapin, South Carolina, where controversy erupted over a writing teacher’s use of Between the World and Me in class; and to Israel and Palestine, where he spent 10 days in a “Holy Land of barbed wire, settlers, and outrageous guns.” By addressing the essays to students in his writing workshop at Howard University in 2022, Coates makes a literary choice similar to the letter to his son that informed Between the World and Me; as in that book, the choice creates a sense of intimacy between writer and reader. Interweaving autobiography and reportage, Coates examines race, his identity as a Black American, and his role as a public intellectual. In Dakar, he is haunted by ghosts of his ancestors and “the shade of Niggerology,” a pseudoscientific narrative put forth to justify enslavement by portraying Blacks as inferior. In South Carolina, the 22-acre State House grounds, dotted with Confederate statues, continue to impart a narrative of white supremacy. His trip to the Middle East inspires the longest and most impassioned essay: “I don’t think I ever, in my life, felt the glare of racism burn stranger and more intense than in Israel,” he writes. In his complex analysis, he sees the trauma of the Holocaust playing a role in Israel’s tactics in the Middle East: “The wars against the Palestinians and their Arab allies were a kind of theater in which ‘weak Jews’ who went ‘like lambs to slaughter’ were supplanted by Israelis who would ‘fight back.’” Roiled by what he witnessed, Coates feels speechless, unable to adequately convey Palestinians’ agony; their reality “demands new messengers, tasked as we all are, with nothing less than saving the world.”
A revelatory meditation on shattering journeys.Pub Date: Oct. 1, 2024
ISBN: 9780593230381
Page Count: 176
Publisher: One World/Random House
Review Posted Online: Aug. 2, 2024
Kirkus Reviews Issue: Sept. 1, 2024
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