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ALWAYS THE LAST TO KNOW

A masterful exploration of all kinds of love—romance, family, and friendship—that will make even a cynic cry.

Secrets are revealed and old wounds are healed as a family attempts to deal with a medical emergency.

Barb Frost knew her marriage wasn’t perfect. She and John had been married for 50 years, but she was unhappy and thinking about leaving, keeping herself busy as first selectman of their small Connecticut town. But then John has a stroke. Barb and John’s daughters rush to the hospital to see him—responsible architect and mom Juliet has always been Barb’s favorite while freedom-loving artist Sadie was her father’s girl. Things are bad enough, but then Barb gets the shock of her life when she goes through John’s phone—and finds out he’s been having an affair. Barb tries to keep the secret from her daughters, knowing it would upset them, but the girls have struggles of their own. Juliet is dealing with secret panic attacks and feels like she can’t handle being a perfect wife, mom, and career woman. Sadie, who moves back home from New York City to help care for her dad, now has to confront Noah Pelletier, her high school sweetheart and the man she’s never been able to forget. He wanted to marry her and stay in their idyllic small town, but she wanted to explore the art world in New York—but now, she’s not so sure that was the right decision. Higgins handles difficult topics with aplomb, mining even the darkest subjects (infidelity, infertility, mortality) with a sense of humor. She resists painting her characters with broad strokes, allowing readers to see the humanity in each person. Sadie and Noah’s love story is angst-filled enough to warrant its own steamy romance novel, but the most touching relationships are the ones Barb has with her daughters and her best friend, Caro, who is Barb’s constant companion as she deals with the fallout of John’s stroke. As Barb puts it, love doesn’t “have to be romantic to encircle you in its arms.”

A masterful exploration of all kinds of love—romance, family, and friendship—that will make even a cynic cry.

Pub Date: June 9, 2020

ISBN: 978-0-451-48945-6

Page Count: 400

Publisher: Berkley

Review Posted Online: March 14, 2020

Kirkus Reviews Issue: April 1, 2020

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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MY FRIENDS

A tender and moving portrait about the transcendent power of art and friendship.

An artwork’s value grows if you understand the stories of the people who inspired it.

Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”

A tender and moving portrait about the transcendent power of art and friendship.

Pub Date: May 6, 2025

ISBN: 9781982112820

Page Count: 448

Publisher: Atria

Review Posted Online: July 4, 2025

Kirkus Reviews Issue: Aug. 1, 2025

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