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IF YOU ONLY KNEW

A powerful, emotionally textured winner.

A divorced wedding-dress designer tries to extricate herself from her ex-husband’s new life by moving from Manhattan to her suburban hometown, just in time to see her sister’s marriage rocked by a sexually graphic text.

Ever since Jenny’s husband, Owen, suddenly decided he didn’t love her anymore, she’s felt a little unmoored, especially since he hasn’t actually walked out of her life but only moved her to the best friend column. Confusingly, he's also acquired a new wife who adores Jenny, and they're having a baby, which Jenny desperately wanted to do but Owen was never ready for. Moving back to her hometown, the charming New York suburb of Cambry-on-Hudson, takes her back to her roots and closer to her family, since her mother and sister still live there. She’s excited to start her new life, separate from Owen and with an elegant storefront and workshop where she can design and create her signature wedding dresses. But as soon as she arrives, her sister, Rachel, discovers a sext on her husband’s phone, which puts her previously idyllic marriage in jeopardy. Rachel has never wanted anything but to be married with children, and her beautiful triplets, handsome husband, and stay-at-home life are the culmination of her lifelong dreams. But when it looks like Adam is cheating, her world is rocked. At first invested in saving the marriage, Rachel begins to resent Adam’s long-suffering attitude when she doesn’t forgive him—and get over it—right away, especially when it becomes clear that she can’t trust him anymore. Jenny and Rachel must navigate their conflicted emotions and search their hearts to decide what they really want when their expected futures go off the rails. Romance star Higgins shifts smoothly and poignantly into women’s fiction with this emotionally compelling story, and she brings her ability to create affecting heroines to this new genre. With a secondary cast of characters who buoy an already perceptive study of love, marriage, sisterhood, and loyalty, Higgins delivers.

A powerful, emotionally textured winner.

Pub Date: Aug. 25, 2015

ISBN: 978-0-373-78497-4

Page Count: 416

Publisher: Harlequin

Review Posted Online: May 31, 2015

Kirkus Reviews Issue: June 15, 2015

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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