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THE LAST NAMSARA

From the Iskari series , Vol. 1

Likely to be popular despite the pressing flaws, and—pleasantly surprising for a duology opener—a satisfying tale on its own.

Ciccarelli’s debut checks all the boxes for teen high fantasy.

Asha, the Iskari (a ceremonial warrior named for “a deadly” god) and a princess, believes in the new order of her homeland: dragons should be killed, not worshipped; skrals deserve their enslavement—collared, penned, not allowed to look at draksors, members of the ruling caste. As a child, Asha rebelled and told stories to dragons until the First Dragon, Kozu, burned her and half the city. Now she mostly toes the line. But a rule-breaking (and attractive) slave, the return of Kozu, an allegiance with the scrublanders, and Asha’s impending wedding to the sadistic commandant lead Asha to rebellion. Ciccarelli has clearly poured care into both the creation of her world, which rests on a religious foundation without a real-world analogue, and her complex but well-managed plotting. The limited characterization and curious lack of physical descriptors (the enslaved skral seem to be fair-skinned) detract a bit from the worldbuilding, and readers may find the princess-slave love story inherently problematic. Even if destined by the Old One and although slavery is clearly positioned as not OK, this is an inherently unbalanced relationship, something the text acknowledges but resolves largely through a fairly literal deus ex machina. However, the underlying theme of strong females making change and the interesting setting will carry the day for many.

Likely to be popular despite the pressing flaws, and—pleasantly surprising for a duology opener—a satisfying tale on its own. (Fantasy. 13-adult)

Pub Date: Oct. 3, 2017

ISBN: 978-0-06-256798-7

Page Count: 432

Publisher: HarperTeen

Review Posted Online: July 16, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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POWERLESS

From the Powerless Trilogy series , Vol. 1

A lackluster and sometimes disturbing mishmash of overused tropes.

The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.

Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.

A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)

Pub Date: Nov. 7, 2023

ISBN: 9798987380406

Page Count: 538

Publisher: Simon & Schuster

Review Posted Online: Sept. 9, 2023

Kirkus Reviews Issue: Oct. 1, 2023

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CARAVAL

From the Caraval series , Vol. 1

Immersive and engaging, despite some flaws, and destined to capture imaginations.

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Magic, mystery, and love intertwine and invite in this newest take on the “enchanted circus” trope.

Sisters raised by their abusive father, a governor of a colonial backwater in a world vaguely reminiscent of the late 18th century, Scarlett and Donatella each long for something more. Scarlett, olive-skinned, dark of hair and attitude, longs for Caraval, the fabled, magical circus helmed by the possibly evil Master Legend Santos, while blonde, sunny Tella finds comfort in drink and the embraces of various men. A slightly awkward start, with inconsistencies of attitude and setting, rapidly smooths out when they, along with handsome “golden-brown” sailor Julian, flee to Caraval on the eve of Scarlett’s arranged marriage. Tella disappears, and Scarlett must navigate a nighttime world of magic to find her. Caraval delights the senses: beautiful and scary, described in luscious prose, this is a show readers will wish they could enter. Dresses can be purchased for secrets or days of life; clocks can become doors; bridges move: this is an inventive and original circus, laced with an edge of horror. A double love story, one sensual romance and the other sisterly loyalty, anchors the plot, but the real star here is Caraval and its secrets.

Immersive and engaging, despite some flaws, and destined to capture imaginations. (Fantasy. 14 & up)

Pub Date: Jan. 31, 2017

ISBN: 978-1-250-09525-1

Page Count: 416

Publisher: Flatiron Books

Review Posted Online: Sept. 18, 2016

Kirkus Reviews Issue: Oct. 1, 2016

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