A nuanced story of first romance that stays true to its characters.
In Nilsen’s middle-grade novel, a seventh grade girl crushes hard on a fellow classmate.
Millie Jackson may have (mostly) moved on from her deep-seated infatuation with pop star Rory Calhoun, the object of her desire in Nilsen’s previous novel, Worldwide Crush (2023), but that doesn’t mean she’s given up on love entirely. Now, in seventh grade social studies, she has a new target: brown-eyed, floppy-haired Scott Fenwick. “Never have I ever dared to consider that someone—a very cute someone—might actually like me. As in like me like me. Until now.” They pass notes in class and even salvage a sweet moment out of a very embarrassing trip to Target with Millie’s mom and kooky great-grandma Phyllis, but Millie is never quite sure how Scott feels. She takes notes in the titular Scott Fenwick Diary, often consulting her best friend, Shauna, who is simultaneously dealing with her own family drama. Meanwhile, pressure to participate in activities like grandma-sitting and an intensely awkward family talent show performance piles on. But Millie perseveres in keeping her crush active, inserting herself into Scott’s life by befriending his neighbor Tibbs and procuring an invitation to his bar mitzvah. After a missed kiss at the big event, Millie is fully engrossed in her devastation until her beloved dog, Pringles, suffers an accident that makes her re-evaluate her relationships and herself. In this sequel, Nilsen nails the nuances of being a young teenager with feelings so big they overexamine even the smallest moments. Millie’s anxieties and concerns over things like how to kiss may make readers cringe, but only because they are so real and relatable. Her PG-rated swearword substitutes like “Gob!” and “Holy Christmas” are annoying, but they contribute to her overall characterization. Yet despite Millie’s personal devotion to Scott, Nilsen makes it clear that rather than a “will-they, won’t-they” narrative, this is a story of self-discovery.
A nuanced story of first romance that stays true to its characters.Pub Date: July 22, 2025
ISBN: 9781684633265
Page Count: 272
Publisher: SparkPress
Review Posted Online: July 23, 2025
Kirkus Reviews Issue: Sept. 15, 2025
Review Program: Kirkus Indie
BOOK REVIEW
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.
Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.
Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)Pub Date: May 14, 2013
ISBN: 978-0-06-210489-2
Page Count: 496
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: April 15, 2013
BOOK REVIEW
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BOOK TO SCREEN
However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the...
At a time when death has become an acceptable, even voguish subject in children's fiction, Natalie Babbitt comes through with a stylistic gem about living forever.
Protected Winnie, the ten-year-old heroine, is not immortal, but when she comes upon young Jesse Tuck drinking from a secret spring in her parents' woods, she finds herself involved with a family who, having innocently drunk the same water some 87 years earlier, haven't aged a moment since. Though the mood is delicate, there is no lack of action, with the Tucks (previously suspected of witchcraft) now pursued for kidnapping Winnie; Mae Tuck, the middle aged mother, striking and killing a stranger who is onto their secret and would sell the water; and Winnie taking Mae's place in prison so that the Tucks can get away before she is hanged from the neck until....? Though Babbitt makes the family a sad one, most of their reasons for discontent are circumstantial and there isn't a great deal of wisdom to be gleaned from their fate or Winnie's decision not to share it.
Pub Date: Nov. 1, 1975
ISBN: 0312369816
Page Count: 164
Publisher: Farrar, Straus and Giroux
Review Posted Online: April 13, 2012
Kirkus Reviews Issue: Nov. 1, 1975
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SEEN & HEARD
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