by Kristyn Crow ; illustrated by Molly Idle ‧ RELEASE DATE: Sept. 8, 2015
Fans of both paranormal characters and ballet will like this; others should stick with a traditional interpretation of the...
Young Zombelina wins the part of Clara in The Nutcracker, but her Grandpa Phantom causes problems during a performance.
Zombelina is the only zombie girl in the cast of The Nutcracker. Her best friend, Lizzie, is cast in the chorus, but the girls support each other and remain friends. Zombelina’s grandfather haunts the theater, and during a performance he alters the lighting so the bones of all the dancers show through their costumes. It’s not clear what the exact paranormal effect is here—magical paralysis? Temporary electrocution? Only Grandpa Phantom knows for sure. Zombelina asks Lizzie to take over her part so the young zombie can deal with her grandfather backstage. The switch is effected by Zombelina’s actual removal of her legs, which she lends to Lizzie for the rest of the performance. Lizzie is supposed to tuck her legs up in her costume and dance on Zombelina’s legs, but the mechanics of this switch aren’t clear or believable. The performance ends with Zombelina back on stage with the cast for a standing ovation—and one of Zombelina’s legs on the loose. There are some funny zombie-themed jokes woven into the story, and Zombelina is an intriguing character, but there are too many leaps in logic in the plot. Colored-pencil illustrations give the green-faced Zombelina personality, and Idle does a fine job with the ballet positions and complex stage scenes.
Fans of both paranormal characters and ballet will like this; others should stick with a traditional interpretation of the holiday classic. (Picture book. 5-8)Pub Date: Sept. 8, 2015
ISBN: 978-1-6196-3640-8
Page Count: 32
Publisher: Bloomsbury
Review Posted Online: Aug. 11, 2015
Kirkus Reviews Issue: Sept. 1, 2015
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by Kara LaReau ; illustrated by Matt Myers ‧ RELEASE DATE: Aug. 2, 2016
A nicely inventive little morality “tail” for newly independent readers.
Two little rats decide to show the world how tough they are, with unpredictable results.
Louie and Ralphie Ratso want to be just like their single dad, Big Lou: tough! They know that “tough” means doing mean things to other animals, like stealing Chad Badgerton’s hat. Chad Badgerton is a big badger, so taking that hat from him proves that Louie and Ralphie are just as tough as they want to be. However, it turns out that Louie and Ralphie have just done a good deed instead of a bad one: Chad Badgerton had taken that hat from little Tiny Crawley, a mouse, so when Tiny reclaims it, they are celebrated for goodness rather than toughness. Sadly, every attempt Louie and Ralphie make at doing mean things somehow turns nice. What’s a little boy rat supposed to do to be tough? Plus, they worry about what their dad will say when he finds out how good they’ve been. But wait! Maybe their dad has some other ideas? LaReau keeps the action high and completely appropriate for readers embarking on chapter books. Each of the first six chapters features a new, failed attempt by Louie and Ralphie to be mean, and the final, seventh chapter resolves everything nicely. The humor springs from their foiled efforts and their reactions to their failures. Myers’ sprightly grayscale drawings capture action and characters and add humorous details, such as the Ratsos’ “unwelcome” mat.
A nicely inventive little morality “tail” for newly independent readers. (Fiction. 5-8)Pub Date: Aug. 2, 2016
ISBN: 978-0-7636-7636-0
Page Count: 64
Publisher: Candlewick
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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by David Wiesner ; illustrated by David Wiesner ‧ RELEASE DATE: Sept. 1, 2020
A retro-futuristic romp, literally and figuratively screwy.
Robo-parents Diode and Lugnut present daughter Cathode with a new little brother—who requires, unfortunately, some assembly.
Arriving in pieces from some mechanistic version of Ikea, little Flange turns out to be a cute but complicated tyke who immediately falls apart…and then rockets uncontrollably about the room after an overconfident uncle tinkers with his basic design. As a squad of helpline techies and bevies of neighbors bearing sludge cake and like treats roll in, the cluttered and increasingly crowded scene deteriorates into madcap chaos—until at last Cath, with help from Roomba-like robodog Sprocket, stages an intervention by whisking the hapless new arrival off to a backyard workshop for a proper assembly and software update. “You’re such a good big sister!” warbles her frazzled mom. Wiesner’s robots display his characteristic clean lines and even hues but endearingly look like vaguely anthropomorphic piles of random jet-engine parts and old vacuum cleaners loosely connected by joints of armored cable. They roll hither and thither through neatly squared-off panels and pages in infectiously comical dismay. Even the end’s domestic tranquility lasts only until Cathode spots the little box buried in the bigger one’s packing material: “TWINS!” (This book was reviewed digitally with 9-by-22-inch double-page spreads viewed at 52% of actual size.)
A retro-futuristic romp, literally and figuratively screwy. (Picture book. 5-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-544-98731-9
Page Count: 32
Publisher: Clarion Books
Review Posted Online: June 2, 2020
Kirkus Reviews Issue: June 15, 2020
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