A gentle story with a sweet message that doesn’t hit readers over the head.
Mismatched animals who become friends are a common theme in picture books, and this one is visual proof that a real friend is “true blue.”
Every day is the same for Bertie and the other yellow giraffes. They nibble leaves from the treetops, drink cooling water at the water hole, and then snooze. That is, until the day when Bertie oversleeps and wakes up alone. Without the rest of the tower, he is lost. How will he find his way home? Just as he starts to cry, a shy creature steps forward—he’s just like Bertie, only blue! Not only does Blue show him the way home, but he draws Bertie’s attention to all kinds of unnoticed things, like rare flowers. Best of all, the other yellow giraffes love Blue, and from then on they all see things a little bit differently each day. Sound effects (“crunchity-crunch,” “sip, slurp,” “trit trot”) pepper the text, adding some liveliness. The giraffes are depicted with brown (or blue) polka dots and spindly legs, and the stylized flora in the background adds to the whimsy. One fanciful image shows the sleeping giraffes with their necks curled in loops; another, tall, vertical spread underscores the giraffes’ long necks. The theme of feeling different and finding a friend is predictable here, but kids will enjoy the colorful illustrations and laid-back delivery.
A gentle story with a sweet message that doesn’t hit readers over the head. (Picture book. 4-7)Pub Date: June 28, 2016
ISBN: 978-1-4814-6154-2
Page Count: 32
Publisher: Paula Wiseman/Simon & Schuster
Review Posted Online: March 1, 2016
Kirkus Reviews Issue: March 15, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
Wins for compassion and for the refusal to let physical limitations hold one back.
With such short arms, how can Tiny T. Rex give a sad friend a hug?
Fleck goes for cute in the simple, minimally detailed illustrations, drawing the diminutive theropod with a chubby turquoise body and little nubs for limbs under a massive, squared-off head. Impelled by the sight of stegosaurian buddy Pointy looking glum, little Tiny sets out to attempt the seemingly impossible, a comforting hug. Having made the rounds seeking advice—the dino’s pea-green dad recommends math; purple, New Age aunt offers cucumber juice (“That is disgusting”); red mom tells him that it’s OK not to be able to hug (“You are tiny, but your heart is big!”), and blue and yellow older sibs suggest practice—Tiny takes up the last as the most immediately useful notion. Unfortunately, the “tree” the little reptile tries to hug turns out to be a pterodactyl’s leg. “Now I am falling,” Tiny notes in the consistently self-referential narrative. “I should not have let go.” Fortunately, Tiny lands on Pointy’s head, and the proclamation that though Rexes’ hugs may be tiny, “I will do my very best because you are my very best friend” proves just the mood-lightening ticket. “Thank you, Tiny. That was the biggest hug ever.” Young audiences always find the “clueless grown-ups” trope a knee-slapper, the overall tone never turns preachy, and Tiny’s instinctive kindness definitely puts him at (gentle) odds with the dinky dino star of Bob Shea’s Dinosaur Vs. series.
Wins for compassion and for the refusal to let physical limitations hold one back. (Picture book. 5-7)Pub Date: March 5, 2019
ISBN: 978-1-4521-7033-6
Page Count: 48
Publisher: Chronicle Books
Review Posted Online: Nov. 11, 2018
Kirkus Reviews Issue: Dec. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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