Lovers of ballet will be enthralled by this coming-of-age of a 20th-century superstar.
An English girl embraces an unlikely but lifelong passion—dancing ballet.
Lily Marks, born in London in 1910, did not walk properly as a child. Her parents took her to a doctor who prescribed leg braces. Lily’s unhappy face led him to suggest a very different therapy, “dancing lessons,” and her parents agreed. Lily became a star pupil, singled out as very talented. She loved the classes and staged shows with her sisters. Private lessons followed. The turning point, however, came when her father took her to a performance by the legendary Russian ballerina Anna Pavlova. And Lily and Anna shared another similarity; both were Jewish. (Pavlova’s father, according to some sources, was Jewish.) Lily got to meet her heroine after the ballet performance and even danced for her. Pavlova encouraged her, and Lily knew at that moment that “she would devote her life to the ballet she loved.” She danced with the Ballets Russes and other companies, and audiences responded with enthusiasm and love. An afterword explains that her professional name change to Alicia Markova came about because balletomanes loved Russian dancers. Goddu’s brief biography is filled with admiration for a ballet icon. Kawa’s stylized, jewel-toned illustrations are elegant and filled with scenes of old-world theaters, estates, and dress.
Lovers of ballet will be enthralled by this coming-of-age of a 20th-century superstar. (afterword, photographs) (Picture book/biography. 4-7)Pub Date: Aug. 1, 2018
ISBN: 978-1-5124-8362-8
Page Count: 32
Publisher: Kar-Ben
Review Posted Online: June 10, 2018
Kirkus Reviews Issue: July 1, 2018
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
Low-key and gentle; a book to be thankful for.
Spinelli lists many things for which people are thankful.
The pictures tell a pleasing counterpoint to this deceptively simple rhyme. It begins “The waitress is thankful for comfortable shoes. / The local reporter, for interesting news.” The pictures show a little girl playing waitress to her brother, who playacts the reporter. The news gets interesting when the girl trips over the (omnipresent) cat. As the poem continues, the Caucasian children and their parents embody all the different roles and occupations it mentions. The poet is thankful for rhyme and the artist, for light and color, although the girl dancer is not particularly pleased with her brother’s painterly rendition of her visual art. The cozy hotel for the traveler is a tent for the siblings in the backyard, and the grateful chef is their father in the kitchen. Even the pastor (the only character mentioned who is not a family member) is grateful, as he is presented with a posy from the girl, for “God’s loving word.” The line is squiggly and energetic, with pastel color and figures that float over white space or have whole rooms or gardens to roam in. Both children, grateful for morning stories, appear in a double-page spread surrounded by books and stuffed toys as their mother reads to them—an image that begs to be a poster.
Low-key and gentle; a book to be thankful for. (Picture book. 4-7)Pub Date: Sept. 1, 2015
ISBN: 978-0-310-00088-4
Page Count: 32
Publisher: Zonderkidz
Review Posted Online: May 17, 2015
Kirkus Reviews Issue: June 15, 2015
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