A work whose lyrical and artistic genius only becomes more apparent upon rereads.
A journey through American music history as shaped by Black artists and traditions.
Fittingly, given the U.S.’s long and complicated racial history, this work takes its title from the beloved hymn “Amazing Grace,” written by a slave trader turned abolitionist. The book begins on the African plains: “Listen to the fireside chorus / of the motherland / to the talking drums / dancing beneath the gold sun / that beat a bold tapestry / of yesterday’s stories / and tomorrow’s dreams.” Likewise, the author has created a beautiful tapestry, woven with song titles and musical references. With each introduction to a different genre, he implores readers to “listen.” Laced with powerful imagery, alliteration, and onomatopoeia (“BUM-DUN! BUM-DUN!”), his verse begs to be sung. Taking a comprehensive approach, Alexander explores regional styles such as go-go alongside internationally known genres, including gospel, jazz, and hip-hop. Palmer’s distinctive illustrations offer the perfect accompaniment. Bold colors set the mood, while his brush strokes evoke movement and convey strong emotion as he depicts everything from enslaved people joyfully dancing in New Orleans’ Congo Square to fists raised high for Black power to performances by Chuck Berry, Prince, Lauryn Hill, and other musicians. Detailed backmatter defines terms and explains the significance of the music referenced.
A work whose lyrical and artistic genius only becomes more apparent upon rereads. (Informational picture book. 5-10)Pub Date: Jan. 14, 2025
ISBN: 9780316442497
Page Count: 48
Publisher: Little, Brown
Review Posted Online: Oct. 12, 2024
Kirkus Reviews Issue: today
Blandly inspirational fare made to evoke equally shrink-wrapped responses.
An NBA star pays tribute to the influence of his grandfather.
In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)
Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)Pub Date: Jan. 10, 2023
ISBN: 978-1-250-81003-8
Page Count: 32
Publisher: Roaring Brook Press
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
BOOK REVIEW
A picture book more than worthy of sharing the shelf with Alan Schroeder and Jerry Pinkney’s Minty (1996) and Carole Boston...
A memorable, lyrical reverse-chronological walk through the life of an American icon.
In free verse, Cline-Ransome narrates the life of Harriet Tubman, starting and ending with a train ride Tubman takes as an old woman. “But before wrinkles formed / and her eyes failed,” Tubman could walk tirelessly under a starlit sky. Cline-Ransome then describes the array of roles Tubman played throughout her life, including suffragist, abolitionist, Union spy, and conductor on the Underground Railroad. By framing the story around a literal train ride, the Ransomes juxtapose the privilege of traveling by rail against Harriet’s earlier modes of travel, when she repeatedly ran for her life. Racism still abounds, however, for she rides in a segregated train. While the text introduces readers to the details of Tubman’s life, Ransome’s use of watercolor—such a striking departure from his oil illustrations in many of his other picture books—reveals Tubman’s humanity, determination, drive, and hope. Ransome’s lavishly detailed and expansive double-page spreads situate young readers in each time and place as the text takes them further into the past.
A picture book more than worthy of sharing the shelf with Alan Schroeder and Jerry Pinkney’s Minty (1996) and Carole Boston Weatherford and Kadir Nelson’s Moses (2006). (Picture book/biography. 5-8)Pub Date: Nov. 7, 2017
ISBN: 978-0-8234-2047-6
Page Count: 32
Publisher: Holiday House
Review Posted Online: Aug. 6, 2017
Kirkus Reviews Issue: Aug. 15, 2017
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