by Kwame Onwuachi with Joshua David Stein ‧ RELEASE DATE: April 9, 2019
Grit and defiance infuse a revealing self-portrait.
An ambitious chef chronicles his rocky journey to success.
In an impassioned debut memoir, Onwuachi, assisted by journalist and restaurant critic Stein, reflects on his unlikely transformation from a gang member to—at the age of 27—the chef of his own fine-dining restaurant in Washington, D.C., where he currently is executive chef at another venue. Growing up in the Bronx, he shifted between his mother’s cramped apartment and the upscale home of his sadistic father, who fell into ferocious rages and beat him. The beatings only incited the author’s rebelliousness, and his frustrated mother sent him to live with his grandfather in Nigeria to “learn respect.” Whatever self-knowledge he gained in Nigeria, though, did not survive the violence-ridden Bronx projects, where he soon earned status and money by dealing drugs. He continued to deal in college, pocketing $3,000 per week selling to dorm mates, until he was expelled. Depressed and rootless but enamored by cooking, Onwuachi took “a sad-ass parade of short-lived menial jobs” in restaurants and, briefly, worked with his mother, a caterer. As cook on a cleanup ship for the Deepwater Horizon spill, he grew certain that he had “the palate, the recipes, the heart” to be a first-rate chef. To hone his skills, he enrolled at the Culinary Institute of America, at the same time running his own catering company to pay tuition. An externship at the famed Manhattan restaurant Per Se and a job at the prestigious Eleven Madison Park were intense, eye-opening experiences. Onwuachi is forthright about the obstacles he faced: kitchens “poisoned by racism” and the assumption that “what the world wants to see is a black chef making black food.” Determined to succeed on his own terms, he learned “to hustle to get ahead, to write my own story, and to manipulate, to the extent that I could, how I was seen.” Recipes following each chapter show the range of Onwuachi’s talents.
Grit and defiance infuse a revealing self-portrait.Pub Date: April 9, 2019
ISBN: 978-1-5247-3262-2
Page Count: 288
Publisher: Knopf
Review Posted Online: Feb. 2, 2019
Kirkus Reviews Issue: Feb. 15, 2019
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by Kwame Onwuachi with Joshua David Stein
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
BOOK REVIEW
by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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