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MAX ON THE FARM

From the Max and Friends series , Vol. 3

A sweet and spunky everyday adventure.

Two friends sneak off on a late-night adventure during their class field trip in this third series installment by Stonewall Award–winner Lukoff.

White, transgender boy Max and his friend Teresa, a cisgender girl of color, love making messes together. Although Max doesn’t like getting into trouble, Teresa thinks trouble is part of the fun. When their class takes an overnight field trip to a farm, unexpected mischief awaits them after dark in the stinky, muddy pigpen. This picture book/early reader hybrid captures the playful, innocent spirit of two friends testing the boundaries of the world around them as Teresa’s spontaneity encourages Max outside of his comfort zone. The story centers on the dynamic of their friendship and what they learn on the farm, but readers of previous titles in the series will recognize recurring characters in the background, and both Max’s teacher and his whole class support him when the farmer and square dance instructor misgender him. Lozano depicts racial diversity in Max’s classmates, including students with pink to dark-brown skin and different textures of hair. Lukoff’s representation of a transgender character is refreshingly casual and well rounded. He provides much-needed inclusion for transgender youth in a new-experience story that doesn’t fixate on identity as a point of conflict and goes beyond the coming-out narrative.

A sweet and spunky everyday adventure. (Picture book. 4-7)

Pub Date: May 29, 2020

ISBN: 978-1-4788-6863-7

Page Count: 32

Publisher: Reycraft Books

Review Posted Online: March 24, 2020

Kirkus Reviews Issue: April 15, 2020

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THE LITTLE GHOST WHO WAS A QUILT

From the Little Ghost Quilt Book series

Halloween is used merely as a backdrop; better holiday titles for young readers are available.

A ghost learns to appreciate his differences.

The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)

Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)

Pub Date: Sept. 1, 2020

ISBN: 978-0-7352-6447-2

Page Count: 48

Publisher: Tundra Books

Review Posted Online: July 13, 2020

Kirkus Reviews Issue: Aug. 1, 2020

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  • New York Times Bestseller


  • IndieBound Bestseller


  • Caldecott Honor Book

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CREEPY CARROTS!

Serve this superbly designed title to all who relish slightly scary stories.

Awards & Accolades

Our Verdict

  • Our Verdict
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  • New York Times Bestseller


  • IndieBound Bestseller


  • Caldecott Honor Book

Kids know vegetables can be scary, but rarely are edible roots out to get someone. In this whimsical mock-horror tale, carrots nearly frighten the whiskers off Jasper Rabbit, an interloper at Crackenhopper Field.

Jasper loves carrots, especially those “free for the taking.” He pulls some in the morning, yanks out a few in the afternoon, and comes again at night to rip out more. Reynolds builds delicious suspense with succinct language that allows understatements to be fully exploited in Brown’s hilarious illustrations. The cartoon pictures, executed in pencil and then digitally colored, are in various shades of gray and serve as a perfectly gloomy backdrop for the vegetables’ eerie orange on each page. “Jasper couldn’t get enough carrots … / … until they started following him.” The plot intensifies as Jasper not only begins to hear the veggies nearby, but also begins to see them everywhere. Initially, young readers will wonder if this is all a product of Jasper’s imagination. Was it a few snarling carrots or just some bathing items peeking out from behind the shower curtain? The ending truly satisfies both readers and the book’s characters alike. And a lesson on greed goes down like honey instead of a forkful of spinach.

Serve this superbly designed title to all who relish slightly scary stories. (Picture book. 4-7)

Pub Date: Aug. 21, 2012

ISBN: 978-1-4424-0297-3

Page Count: 40

Publisher: Simon & Schuster

Review Posted Online: May 1, 2012

Kirkus Reviews Issue: Aug. 1, 2012

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