A standing ovation for undead environmentalist theater.
There’s something rotting in Deadmark, and it’s not the zombies—it’s a science-denial conspiracy!
The humans of Ignorway destroyed the environment so badly that viruses ran rampant. One was a zombie virus, and eventually, the zombies abandoned the ruined land to create Deadmark, their rational, science-positive democracy. In this Hamlet-meets-zombies story, when Edda’s mother, the elected Lead Scientist, mysteriously goes missing, Agonista, Edda’s environmental lawbreaking businesswoman aunt, is selected to replace her. Greed-driven Agonista immediately starts dismantling sustainable energy sources in favor of oil. With the help of allies—vampire bat Bram, the enchanted floating skull Rick (of the Glob Theater)—Edda discovers her mother’s dark, humanized fate. The heroes quickly stage a production of the scheme and watch for Agonista’s guilty reactions. Adventurous twists and turns—exile, a naval battle, Zombies for the Ethical Treatment of Humans and their development of cruelty-free, lab-grown FeignBrain (“Make your next meal a no-brainer!”)—go alongside puns and Shakespearian winks. The horror elements are so campy and over-the-top that, despite the brain-eating monsters, it’s funny instead of scary. The resulting cartoonishness allows the story to get away with blunt moralizing without breaking the comedic tone, with the heavy-handedness played as part of the joke without undermining genuine messages. The zombies and Bram are shades of green; humans are racially ambiguous.
A standing ovation for undead environmentalist theater. (Humor/Horror. 8-12)Pub Date: Sept. 8, 2020
ISBN: 978-1-948931-13-7
Page Count: 220
Publisher: Hazy Dell Press
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Charming, poignant, and thoughtfully woven.
An aspiring scientist and a budding artist become friends and help each other with dream projects.
Unfolding in mid-1980s Sacramento, California, this story stars 12-year-olds Rosalind and Benjamin as first-person narrators in alternating chapters. Ro’s father, a fellow space buff, was killed by a drunk driver; the rocket they were working on together lies unfinished in her closet. As for Benji, not only has his best friend, Amir, moved away, but the comic book holding the clue for locating his dad is also missing. Along with their profound personal losses, the protagonists share a fixation with the universe’s intriguing potential: Ro decides to complete the rocket and hopes to launch mementos of her father into outer space while Benji’s conviction that aliens and UFOs are real compels his imagination and creativity as an artist. An accident in science class triggers a chain of events forcing Benji and Ro, who is new to the school, to interact and unintentionally learn each other’s secrets. They resolve to find Benji’s dad—a famous comic-book artist—and partner to finish Ro’s rocket for the science fair. Together, they overcome technical, scheduling, and geographical challenges. Readers will be drawn in by amusing and fantastical elements in the comic book theme, high emotional stakes that arouse sympathy, and well-drawn character development as the protagonists navigate life lessons around grief, patience, self-advocacy, and standing up for others. Ro is biracial (Chinese/White); Benji is White.
Charming, poignant, and thoughtfully woven. (Fiction. 9-12)Pub Date: Jan. 12, 2021
ISBN: 978-0-06-300888-5
Page Count: 304
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: Oct. 26, 2020
Kirkus Reviews Issue: Nov. 15, 2020
BOOK REVIEW
BOOK REVIEW
Tenderly resonant and memorable.
Ferris finds herself in the midst of several love stories during the summer before fifth grade.
Emma Phineas Wilkey’s moniker comes from the circumstances of her birth: under the Ferris wheel at the fairground. Her contained world, centered around her family and best friend, is filled with kindness, humor, and singular personalities, while the indeterminate late-20th-century small-town setting feels like a safe place from which to observe heartbreak and loss. Ferris’ architect father and her pragmatic mother, on break from teaching high school math, anchor her home life, along with Pinky, her hilariously ferocious 6-year-old sister, and Charisse, her grandmother, who claims to have seen an unhappy ghost in their big old house. Ferris’ best friend, Billy Jackson, whom she’s loved since kindergarten, hears the music of the world: “The whole world is singing all the time.” Ferris, serious and sensitive, is attuned to the ways that the vocabulary words they learned in Mrs. Mielk’s fourth grade class describe moments in her life. DiCamillo’s gift for conveying an entire person and world in a few brushstrokes of storytelling provides depth and quiet magic to this account of an eventful summer in which a ghost is appeased, an outlaw (Pinky) is somewhat reformed, and an uncle and aunt are reconciled. Ferris experiences two surprising moments of transcendence and becomes aware of the ways love suffuses everything. Characters are cued white.
Tenderly resonant and memorable. (Fiction. 8-12)Pub Date: March 5, 2024
ISBN: 9781536231052
Page Count: 240
Publisher: Candlewick
Review Posted Online: Dec. 6, 2023
Kirkus Reviews Issue: Jan. 1, 2024
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