A fascinating, loving snapshot of a gravity-defying artform lost to time.
Impressive towers of noodles whiz through the city in this charming tribute to the hardworking deliverymen of midcentury Tokyo.
A gaggle of children wait patiently to catch a glimpse of the demae (deliverymen) as they set off from the soba noodle shop in the morning. The youngsters stare with wide-mouthed wonder as the men stack trays upon trays of ceramic soup bowls and wooden soba boxes on their shoulders. Arms steady, the demae mount their bicycles and weave their way through busy streets to feed a hungry city. The deliverymen “are artists. Architects. Tough talkers. Speedy spinners…and acrobats,” expertly navigating the curves and hills of the city landscape until they return to their families at night. Drawing on youthful memories of summers spent in Tokyo’s Nishi-Ogikubo neighborhood, Maclear crafts a compelling story from a child’s perspective, engaging the senses with rhythmic prose and onomatopoeia. Her author’s note explains that this delivery method—used from the 1930s to the ’70s—was eventually phased out. Perfectly complementing the text, Zhang’s illustrations use lively and expressive strokes of ink and gouache, each spread bursting with character. Readers will enjoy poring over the delightful details on each page. Maclear and Zhang have created an intimate and immersive experience that transports readers to the Tokyo of yesteryear, allowing them to bask in the sights, scents, and sounds of the busy city.
A fascinating, loving snapshot of a gravity-defying artform lost to time. (author’s note, glossary, photos) (Picture book. 4-8)Pub Date: Aug. 27, 2024
ISBN: 9780593706084
Page Count: 40
Publisher: Random House Studio
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
Innocuous adventuring on the smallest of scales.
The Mouse and the Motorcycle (1965) upgrades to The Mice and the Rolls-Royce.
In Windsor Castle there sits a “dollhouse like no other,” replete with working plumbing, electricity, and even a full library of real, tiny books. Called Queen Mary’s Dollhouse, it also plays host to the Whiskers family, a clan of mice that has maintained the house for generations. Henry Whiskers and his cousin Jeremy get up to the usual high jinks young mice get up to, but when Henry’s little sister Isabel goes missing at the same time that the humans decide to clean the house up, the usually bookish big brother goes on the adventure of his life. Now Henry is driving cars, avoiding cats, escaping rats, and all before the upcoming mouse Masquerade. Like an extended version of Beatrix Potter’s The Tale of Two Bad Mice (1904), Priebe keeps this short chapter book constantly moving, with Duncan’s peppy art a cute capper. Oddly, the dollhouse itself plays only the smallest of roles in this story, and no factual information on the real Queen Mary’s Dolls’ House is included at the tale’s end (an opportunity lost).
Innocuous adventuring on the smallest of scales. (Fantasy. 6-8)Pub Date: Jan. 3, 2017
ISBN: 978-1-4814-6575-5
Page Count: 144
Publisher: Aladdin
Review Posted Online: Sept. 18, 2016
Kirkus Reviews Issue: Oct. 1, 2016
A stunning, honest, yet age-appropriate depiction of historical injustice.
Giddens’ song commemorating the 155th anniversary of Juneteenth is adapted into a picture book centering history and resilience.
Written in second person, the story begins “You brought me here / to build your house” and depicts a Black family joining enslaved Black laborers in a field, transported and supervised by a White person. The family helps the others lay bricks and pick cotton until they are sent away, with the White person gesturing for them to leave (“you told me… // GO”). Against a backdrop of green fields and blue mountains, the family finds “a place / To build my house,” enjoying freedom, until “you said I couldn’t / Build a house / And so you burnt it…// DOWN.” Beside the ashes, the family writes a song; images depict instruments and musical notes being pulled from the family; and another illustration shows White people dancing and playing. The family travels “far and wide” and finds a new place where they can write a song and “put my story down.” Instruments in hand, the family establishes itself once again in the land. This deeply moving portrait of the push and pull of history is made concrete through Mikai’s art, which features bright green landscapes, expressive faces, and ultimately hopeful compositions. Giddens’ powerful, spare poetry, spanning centuries of American history, is breathtaking. Readers who discover her music through this book and the online recording (included as a QR code) will be forever glad they picked up this book. (This book was reviewed digitally.)
A stunning, honest, yet age-appropriate depiction of historical injustice. (afterword) (Picture book. 4-8)Pub Date: Oct. 11, 2022
ISBN: 978-1-5362-2252-4
Page Count: 40
Publisher: Candlewick
Review Posted Online: June 7, 2022
Kirkus Reviews Issue: July 1, 2022
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