Perfectly orchestrated: brava!
From their desert home under a full moon, a close-knit extended family accompanies the sounds of nighttime creatures with music of their own.
As coyotes howl, cicadas buzz, and barn owls hoot, each family member improvises in harmony. Uncle Eduardo slaps his hands against his knees, sister Esme shakes her maracas, and the young narrator’s grandfather plays el güiro. The narrator and Grandma pluck guitars, Aunt Ofelia plays flute, and the child’s father hums. “When my mother opens her mouth to sing, / a hush falls over the desert.” Kemp’s poetic text conveys the desert sky’s magnificence. The narrator’s father speaks reverently of the heirloom instruments treasured and played by the family: “Your great-great-grandmother’s vihuela and my godmother’s ocarina…remind us that they’re still alive between the notes.” Gutiérrez Hernández's delicately stylized illustrations excel, particularly in the many nighttime spreads. While the family plays, sings, and dances, departed ancestors echo their actions from above, appearing silvery against a dark, velvet-blue sky laced with nightbirds, moths, stars, and the flashing lightning of an approaching storm. As the family retreats to the large porch, their concert ended by the closing curtains of massing clouds, “The rain on our tin roof sounds like applause.” The narrator is brown-skinned, and the family varies in skin tone; the use of Spanish throughout implies that they are of Latine heritage. Publishes simultaneously in Spanish.
Perfectly orchestrated: brava! (Picture book. 4-8)Pub Date: June 4, 2024
ISBN: 9780823453924
Page Count: 40
Publisher: Neal Porter/Holiday House
Review Posted Online: March 9, 2024
Kirkus Reviews Issue: April 1, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Menacing and most likely to appeal to established fans of its co-creators.
Existing artwork from an artistic giant inspires a fairy-tale reimagination by a master of the horror genre.
In King’s interpretation of a classic Brothers Grimm story, which accompanies set and costume designs that the late Sendak created for a 1997 production of Engelbert Humperdinck’s opera, siblings Hansel and Gretel survive abandonment in the woods and an evil witch’s plot to gobble them up before finding their “happily ever after” alongside their father. Prose with the reassuring cadence of an old-timey tale, paired with Sendak’s instantly recognizable artwork, will lull readers before capitalizing on these creators’ knack for injecting darkness into seemingly safe spaces. Gaping faces loom in crevices of rocks and trees, and a gloomy palette of muted greens and ocher amplify the story’s foreboding tone, while King never sugarcoats the peach-skinned children’s peril. Branches with “clutching fingers” hide “the awful enchanted house” of a “child-stealing witch,” all portrayed in an eclectic mix of spot and full-bleed images. Featuring insults that might strike some as harsh (“idiot,” “fool”), the lengthy, dense text may try young readers’ patience, and the often overwhelmingly ominous mood feels more pitched to adults—particularly those familiar with King and Sendak—but an introduction acknowledges grandparents as a likely audience, and nostalgia may prompt leniency over an occasional disconnect between words and art.
Menacing and most likely to appeal to established fans of its co-creators. (Picture book. 4-8)Pub Date: Sept. 2, 2025
ISBN: 9780062644695
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 15, 2025
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
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