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THE MOOR'S ACCOUNT

Adding a new spin to a familiar story, Lalami offers an utterly believable, entertainingly told alternative to the...

Assured, lyrical imagining of the life of one of the first African slaves in the New World—a native, like Lalami (Secret Son, 2009, etc.), of Morocco and, like her, a gifted storyteller.

The Spanish called him Estebanico, a name bestowed on him after he was purchased from Portuguese traders. That datum comes several pages after he proudly announces his true name, “Mustafa ibn Muhammad ibn Abdussalam al-Zamori,” and after he allows that some of the stories he is about to tell may or may not be quite true owing to the vagaries of memory and—well, the unlikelihood of the events he describes. The overarching event of this kind is, of course, the shipwreck that leaves him, with a body of Spanish explorers whose number will eventually be whittled down to three, to walk across much of what is now the American Southwest. Led by Álvar Núñez Cabeza de Vaca, “my rival storyteller,” the quartet encounters wondrous things and people: cities of mud brick, maidens draped with turquoise, abundant “skins, amulets, feathers, copper bells,” and always the promise of gold just beyond the horizon. They provide wonders in return: Estebanico is a source of exotic entertainment (“It was harmless fun to them, but to me it quickly grew tiresome”), while his fellow traveler Andrés Dorantes de Carranza sets broken bones and heals the sick. Lalami extends the stories delivered by Cabeza de Vaca himself in his Naufragios, which has been rendered in several English-language editions (e.g., We Came Naked and Barefoot; Adventures in the Unknown Interior of America; Castaways), but hers is certainly the most extensive telling of the tale from “the Moor’s” point of view. As elusive as gold, she tells us, is the promise of freedom for Estebanico, who provides the very definition of long-suffering. She has great fun, too, with the possibilities of a great historical mystery—namely, whatever became of him?

Adding a new spin to a familiar story, Lalami offers an utterly believable, entertainingly told alternative to the historical record. A delight.

Pub Date: Sept. 9, 2014

ISBN: 978-0-307-91166-7

Page Count: 336

Publisher: Pantheon

Review Posted Online: Aug. 27, 2014

Kirkus Reviews Issue: Sept. 15, 2014

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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ALL THE LIGHT WE CANNOT SEE

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 5, 2014

Kirkus Reviews Issue: March 15, 2014

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