by Lana Button ; illustrated by Carmen Mok ‧ RELEASE DATE: April 13, 2021
Powerful in its vulnerability.
Kim is tough, just like her mum.
But today Mum’s staying in bed, with the blanket wrapped tightly around her. Kim pulls her thumb out of her mouth (before Mum can see it there) and gets up to start the day. She prepares her lunch bag and checks her homework. Almost ready. But Mum forgot to sign Kim’s field-trip form! “Don’t start on me, Kim!” says Mum, who’s still curled up in bed. What can Kim do? Grab some spare change for the field trip. Not enough to cover the $6, but “maybe Mrs. Jones won’t notice.” The school day brings its pleasures and pains—Mrs. Jones does call out the incomplete form—but Kim keeps her composure, like Mum seems to do. Returning home, Kim sees that Mum’s “at the table wearing what she slept in last night.” Maybe some tomato soup can help. “Eat. You’ll feel better,” insists Kim. It’s a small gesture, but it finally cuts through the gloom that surrounds her mum. Button elevates these tender moments thanks to a keen sense of compassion for her characters, underlining that even the most seemingly mundane moments can have an impact. Buried within this showcase of a loving mother-daughter relationship is the potential catharsis of grappling with accepting help. Mok’s compassionate gouache artwork—full of muted colors, gently curving lines, and arresting facial expressions—enfolds this tale in its earnest embrace. Mostly light-skinned characters fill out the cast, including Kim and her mum. (This book was reviewed digitally with 9-by-16.6-inch double-page spreads viewed at 82% of actual size.)
Powerful in its vulnerability. (Picture book. 4-10)Pub Date: April 13, 2021
ISBN: 978-0-7352-6598-1
Page Count: 32
Publisher: Tundra Books
Review Posted Online: March 1, 2021
Kirkus Reviews Issue: March 15, 2021
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by Riel Nason ; illustrated by Byron Eggenschwiler ‧ RELEASE DATE: Sept. 1, 2020
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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by Riel Nason ; illustrated by Byron Eggenschwiler
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by Daymond John ; illustrated by Nicole Miles ‧ RELEASE DATE: March 21, 2023
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.
How to raise money for a coveted poster: put your friends to work!
John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)Pub Date: March 21, 2023
ISBN: 978-0-593-56727-2
Page Count: 40
Publisher: Random House
Review Posted Online: Dec. 13, 2022
Kirkus Reviews Issue: Jan. 1, 2023
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