THE TALE OF BRIAN AND THE HOUSE PAINTER MERVYN

A young boy meets a mysterious painter with wondrous abilities in Lee’s novel.

Brian Jones is the son of the wealthiest man in the small village of Sandstone-by-the-Sea. His father, Moab, and mother, Melissa, and his 12 other siblings fill the house of “Goodly Home on the edge of the Sea Cliffs.” Brian becomes ill with a mysterious disease that the local doctor can’t cure. On the fourth floor of the Goodly Home, Brian’s life drains of all excitement. Desperate to cure his son, Moab seeks out an artist to fill Brian’s white room “with all the things [he] like[s] just as they are” so that he may begin to get better. When Moab finds Mervyn—an angry, muttering artist with an unusual talent for painting things realistically—he hires him to paint the walls of his son’s tower. Mervyn works for a week and produces such a lifelike display of the outside world that Brian’s family is in awe. Before long, people in the village of Sandstone-by-the-Sea become desperate for a piece of Mervyn’s magic, and when the villagers begin to turn against him, he does something quite unexpected. Lee’s marvelous imagination engagingly contrasts a portrayal of a rich family with the villagers’ simple desire for access to the same magic that the family receives. Despite the lack of variety in sentence length, Lee’s prose effectively propels the narrative to an explosive climax in which he subtly notes how unusual it is for people to chase something outside of the social norm. So’s illustrations are both vibrant and abstract, and they assist in painting a detailed portrait of both the village and the characters. Together, So and Lee create a topsy-turvy story of a genius ahead of his time.

A wonderfully imaginative, playful, and layered tale.