RECESS

The essence of a school-day recess is siphoned down into pure joyous chaos.

Before tapping into the kinetic energy of a classic “red light, green light” game, Smith begins with an acknowledgment that while school is “pretty fun,” once in a while “we need a break from all that fun, right?” As he introduces different school subjects, he somehow always finds a way to end his descriptions of gym, spelling, and even math with a cry of “RECESS!” During these interludes, he encourages young readers to shake their booties, quack like ducks, stomp their feet, bounce invisible balls, and do any number of other loud things—until the fun abruptly ends, and it’s back to more schoolwork. The triumphant finish invites readers to take part in all these activities at once in a riot of color and movement. This interactive explosion of a book bursts off the page, engulfing young listeners in its inescapable exuberance. The read-aloud potential is high, with the intrusive narrator providing hilariously disapproving commentary while also egging readers on. The characters are awash in bright hues and tones; Smith uses geometric shapes for many of the children’s facial features. If B.J. Novak’s The Book With No Pictures (2014) were smushed into Jon Scieszka and Smith’s The Stinky Cheese Man (1992), this might well be the result.

Wilder than any rumpus, this recess isn’t just a break—it’s silliness incarnate!