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SELECTED LETTERS OF LANGSTON HUGHES

A privileged perspective on the man and his art.

The renowned poet’s life revealed in letters.

A star of the Harlem Renaissance, Hughes (1902-1967) published poetry, fiction, humor, books for young people, biographies and autobiographies, anthologies, and assorted works of history and translation. He also wrote thousands of letters, from which Rampersad (Humanities, Emeritus/Stanford Univ.; Ralph Ellison, 2007, etc.) and Roessel (Greek/Stockton Coll. of New Jersey; co-editor: Poetry for Young People: Langston Hughes, 2013, etc.) have made a discerning selection—including several disarmingly candid drafts—to offer a vivid portrait of a man sometimes cowed by self-doubt and vulnerability, sometimes given to outbursts of bravura, always eager for adventure and always short of money. In the 1930s, his youthful socialist sympathies transformed into passionate radicalism. He cherished friendships, as letters to Arna Bontemps, Carl Van Vechten and Countee Cullen attest, and he was quick to encourage other writers, including Ralph Ellison and Alice Walker. As a young writer himself, he could be self-deprecating: He felt timid about meeting editor and professor Alain Locke, he told Cullen, “because I know he’d find me terribly stupid.” When he was 25, Hughes was taken up by Charlotte Osgood Mason, an elderly white philanthropist who offered him a monthly stipend to support his writing and insisted on being called “Godmother.” Hughes loved Mrs. Mason “as a son loves his mother,” Rampersad writes. When Mason flared up angrily at what she saw as indolence, Hughes felt desolate: “I am humbly deeply sorry,” he wrote, but he confessed, “I cannot write at all on any sort of pre-arranged schedule.” An intrepid traveler, Hughes saw the world; championed by Van Vechten and his publisher Blanche Knopf, he socialized with celebrity artists and writers. Yet all the while, he took advice offered by Vachel Lindsay to be “wary of lionizers.”

A privileged perspective on the man and his art.

Pub Date: Feb. 13, 2015

ISBN: 978-0-375-41379-7

Page Count: 480

Publisher: Knopf

Review Posted Online: Nov. 3, 2014

Kirkus Reviews Issue: Nov. 15, 2014

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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