by Langston Hughes & illustrated by Romare Bearden ‧ RELEASE DATE: Nov. 1, 1995
In a work published in conjunction with the Metropolitan Museum of Art, the words and images of two Harlem Renaissance artists combine in a jazzy portrait of life on a Harlem block. The juxtaposition of poems—dating from the 1920s through the 1950s- -with portions of ``The Block''—a collage Bearden created in 1971- -give both works new spark; in fact, the two seem made for each other. The poems act as small spyglasses, enhancing details of the larger collage or giving new meaning to the visual image; Hughes (The Book of Rhythms, p. 1111, etc.) narrates events—a funeral, a love song, a lonely man's lament—that comprise the larger saga of the neighborhood. Cropped closeups of portions of Bearden's art individualize characters, drawing the eyes of young readers in. An introduction by Bill Cosby emphasizes the importance of neighborhood blocks as reflected in each artist's work. Though biographical pieces in the book acknowledge Hughes's acquaintance with Bearden in the 1930s, little is said of their influence on each other. Like Ntozake Shange's i live in music (1994, not reviewed), a continuous poem, illustrated by many of Bearden's works, this also shows readers how poetry and collage are not only related, but probably siblings. (Picture book/poetry. 4+)
Pub Date: Nov. 1, 1995
ISBN: 0-670-86501-X
Page Count: 32
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1995
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by Kobi Yamada ; illustrated by Natalie Russell ‧ RELEASE DATE: March 1, 2017
A sweet, soft conversation starter and a charming gift.
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A paean to teachers and their surrogates everywhere.
This gentle ode to a teacher’s skill at inspiring, encouraging, and being a role model is spoken, presumably, from a child’s viewpoint. However, the voice could equally be that of an adult, because who can’t look back upon teachers or other early mentors who gave of themselves and offered their pupils so much? Indeed, some of the self-aware, self-assured expressions herein seem perhaps more realistic as uttered from one who’s already grown. Alternatively, readers won’t fail to note that this small book, illustrated with gentle soy-ink drawings and featuring an adult-child bear duo engaged in various sedentary and lively pursuits, could just as easily be about human parent- (or grandparent-) child pairs: some of the softly colored illustrations depict scenarios that are more likely to occur within a home and/or other family-oriented setting. Makes sense: aren’t parents and other close family members children’s first teachers? This duality suggests that the book might be best shared one-on-one between a nostalgic adult and a child who’s developed some self-confidence, having learned a thing or two from a parent, grandparent, older relative, or classroom instructor.
A sweet, soft conversation starter and a charming gift. (Picture book. 4-7)Pub Date: March 1, 2017
ISBN: 978-1-943200-08-5
Page Count: 32
Publisher: Compendium
Review Posted Online: Dec. 13, 2016
Kirkus Reviews Issue: Jan. 1, 2017
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by Josh Schneider & illustrated by Josh Schneider ‧ RELEASE DATE: May 1, 2011
Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)
Pub Date: May 1, 2011
ISBN: 978-0-547-14956-1
Page Count: 48
Publisher: Clarion Books
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: April 1, 2011
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