by Larissa Theule ; illustrated by Gianna Marino ‧ RELEASE DATE: Jan. 15, 2019
The story is serious about its shift from glum to optimistic, but the background colors and the animals’ humorous...
One animal helps two animals out of the doldrums.
Water Buffalo and Crane are in a rut. The weather’s too hot, and “when one is all the time hot, days grow long and the world small.” Indeed, their hill is exaggeratedly rounded, as if they’re standing on a shrunken Earth. The air’s yellow; Water Buffalo’s eyelids are at half-mast, and he licks sweat off his lip. Their expressions are amusing—but not to them. What can break their sweltering, oppressive gloom? “ ‘How do you do?’ said someone new.” An unforeseen rhyme! Goat licks Water Buffalo and Crane, and “then, as sudden as summer rain, Goat started dancing.” Dancing is contagious. The three dance so high their heads leave the page. “They forgot the sun. They forgot the heat. Had the earth ever smelled so sweet?” Using gouache paint on watercolor paper, Marino swirls her hot yellows into cooler blues and greens, then finally into blue-pinks. Goat departs, but Crane and Water Buffalo are changed for good: the earth feels pleasant, and there are new animals to greet. Is the “summer rain,” as per the text, merely a figure of speech describing Goat’s sudden dancing? Or is it as real as the illustrations show it, sprinkling down? Does it matter?
The story is serious about its shift from glum to optimistic, but the background colors and the animals’ humorous expressions keep it light throughout—anyone who’s needed this kind of intervention will relate. (Picture book. 3-7)Pub Date: Jan. 15, 2019
ISBN: 978-1-61963-807-5
Page Count: 40
Publisher: Bloomsbury
Review Posted Online: Sept. 22, 2018
Kirkus Reviews Issue: Oct. 1, 2018
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by Sybil Rosen ; illustrated by Camille Garoche ‧ RELEASE DATE: March 16, 2021
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
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by Riel Nason ; illustrated by Byron Eggenschwiler ‧ RELEASE DATE: Sept. 1, 2020
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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