Bond and DeFelice conjure a chillingly all-too-believable near future global conflict.
The final installment in Bond and DeFelice’s four-book Red Dragon Rising series sees China moving inexorably toward its conquest of Vietnam, while those in the know in the United States government and security services work behind the scenes to stop the Chinese juggernaut in its tracks.
In the Red Dragon Rising series’ version of 2014, climate change has brought the world to the brink of chaos. As the fourth and final book in the series opens, the Chinese army is preparing to sweep through Vietnam as part of a famine-ravaged China’s quest to conquer the smaller nation, primarily as a source of food. Maj. Zeus Murphy is still in country, and he’s come up with a plan to stall the Chinese advance, but in order to put it in motion, he’s going to need to work with the Vietnam People's Army as well as some of the darker elements of the CIA. Back at home, President George Greene, who believes China should be stopped sooner rather than later, and whose approval is necessary to set Murphy’s plan in motion, is facing a political crisis which may tie his hands. Meanwhile, while Josh MacArthur, the scientist who presented the world with proof that China’s justification for going to war was fabricated, is cooling his heels in rural Ohio and pining for CIA agent Mara Duncan, a Chinese assassin is lurking nearby, waiting for an opportunity to strike. Naturally, Bond, who co-authored the quintessential military techno-thriller Red Storm Rising with Tom Clancy, is at his best depicting the technological components of modern warfare. He displays an encyclopedic knowledge of modern weapons systems and tactics, and he knows how to use his knowledge to full advantage without bogging things down in military acronyms and technobabble, thus creating exquisite tension during action scenes. When actual human emotions figure into the plot, though, as love does in several instances in this book, things read a little bit off, but few will notice or particularly care thanks to the novel's steamroller plot and tense action sequences.
Bond and DeFelice conjure a chillingly all-too-believable near future global conflict.Pub Date: Jan. 22, 2013
ISBN: 978-0-7653-2140-4
Page Count: 320
Publisher: Forge
Review Posted Online: Oct. 31, 2012
Kirkus Reviews Issue: Nov. 15, 2012
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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