Strong satisfactions without accenting heroics. Well done indeed.
Bond solos on this submarine story that sends a docked aviator to serve in a submarine.
This light melodrama tells of life on and the operation of a submarine. Lt. Jerry Mitchell, in his last week of naval flight training, finds his plane cartwheeling, and suffers such a severely broken arm that he’s to be cashiered when he asks to be transferred to submarine service. Trained on the Manta prototype, an information-seeking submersible, he’s assigned to the Memphis, a sub about to leave New London. The sub was to be decommissioned, but it has been given one last job: to go to Russian waters and check on hazardous radioactive waste the Russians have dumped underwater. Also on board are two women, Drs. Joanna Patterson and Emily Davis, both very knowledgeable engineers under the aegis of the president himself, who wants to present their findings at a forthcoming world environmental meeting. Assigned to manage the torpedo room, Mitchell has two heavy hands to deal with: Captain Hardy, who dislikes him for his political pull at getting his berth on the sub, and Senior Chief Foster, his top hand with torpedoes. During training exercises at sea, Mitchell’s aviation smarts help him outwit Captain Hardy himself, a master of sub tactics. The two doctors at last reveal that they want to use two torpedo tubes for housing two submersibles for recovering radioactive materials from the sea bottom and from leaking cans of radioactive waste. We can tell you that while the Russian waste disposal is within allowable limits, someone has stolen some nuclear warheads and hidden them in the Kara Sea for later resale. Eventually, the familiar “run silent, run deep” scenario arises when the sub is discovered by echo-location and must make its way out of Russian waters, again with Mitchell’s aviation smarts.
Strong satisfactions without accenting heroics. Well done indeed.Pub Date: June 1, 2005
ISBN: 0-765-30788-X
Page Count: 368
Publisher: Forge
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2005
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
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PROFILES
PERSPECTIVES
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