Readers should hardly notice the novel’s epic length, breezing through laudable characters and a global plot running at full...
In this military thriller, a coup in North Korea begets civil war, which, given the country’s chemical and nuclear weapons, could have worldwide repercussions.
The apparent redeployment of North Korean troops from the Demilitarized Zone surprises South Korean and American officers alike. They rightly surmise that a coup is under way against Supreme Leader Kim Jong Un. Kim’s initially rumored assassination becomes a reality when millions who tuned in to the leader’s televised announcement witness his death. The resultant fighting in North Korea is between three factions: the Kim family, the Korean Workers’ Party, and the military. But other nations especially worry about North Korea’s “nuclear stockpile.” South Korea sends army units to secure the area by tackling the North’s nuclear facilities and chemical-weapons depots. North Korean civilians trying to escape via the country’s border with China, meanwhile, are getting shot by Chinese soldiers stationed there. Camps set up for the refugees are quickly overwhelmed by the staggering number of people who need food and water. China, like everyone else, is apprehensive about Kim’s armaments. The country decides to march troops into North Korea to find and destroy the nuclear weapons on its own. But an altercation between China and South Korea/U.S. allies is feasible and might spark a war. This swiftly paced, 510-page novel is a sequel to Bond’s 1989 Red Phoenix (with Patrick Larkin). A beginning recap forgoes any necessity to read the previous book, though it’s a treat to see returning characters like Col. Kevin Little at the DMZ. There’s no real central character, giving the narrative an appropriate expansiveness among its Korean, American, Chinese, and even Russian characters. Hero status is shared, too, and standouts include Col. Rhee Han-gil, who leads a brigade covertly into North Korean territory, and Cho Ho-jin, a spy for the Russians who ultimately aligns with South Korea. Bond and Carlson (Lash-Up, 2015, etc.) bounce the story from scene to scene like a tightly edited action movie, an impressive tempo kick-started in the opening when Little’s immediately under fire trying to help potential defectors fleeing to South Korea.
Readers should hardly notice the novel’s epic length, breezing through laudable characters and a global plot running at full tilt.Pub Date: March 16, 2016
ISBN: 978-1-5196-3538-9
Page Count: 510
Publisher: CreateSpace
Review Posted Online: March 11, 2016
Kirkus Reviews Issue: April 15, 2016
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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