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VORTEX

Red Phoenix author Bond, who also collaborated with Tom Clancy on Red Storm Rising, takes his formidable war-game skills to South Africa, where he pits fascist Boers against Cuban communists. Yanks are, once again, policemen on the world beat. Armchair warriors suffering from post-Saddam letdown, as well as ground-war fans disappointed by the walkover in Iraq, should find considerable satisfaction in this lengthy (729-page), detail-rich treatment of a multifront war that flares up when ultra reactionary South African politicians send all their moderate governmental colleagues off on a luxury train knowing that the train is about to be blown up by black radicals. With the reformers out of the way, the fascists seize power, undo racial and political reform, and send their army off to reclaim the one-time colony of Namibia. The surprise blitzkrieg makes a spectacular start—and then promptly runs into unexpected and father fierce opposition from the Cuban forces still left in neighboring Angola. Castro has got on the phone and sold a backsliding Soviet Union on the idea of an aggressive combination of Cuban know-how and Soviet hardware that will demonstrate to the world the glory of renascent Leninism. In the best Schwarzkopfian fashion, the Cubans fly and ship a major expeditionary force to Africa and roll out a tricky three-prong counterattack against the beastly Boers. When the panicky South Africans nuke one of the prongs, it's time for the US to step in and sort things out. Observing much of the action but unable to capitalize on the opportunity is an American telejournalist who is out of favor with his network—but much prized by the pretty daughter of one of the nastiest of the fascist cabinet ministers. Not all the Boers are bad, by the way. Many, many battles and much, much war with not too much mushy stuff. The political doings that set the war machinery running are rather broad-brush and suffer in comparison to the well-done battle scenes but, still, it's likely to sell oodles.

Pub Date: June 3, 1991

ISBN: 0-446-51566-3

Page Count: -

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 1991

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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