by Larry Dane Brimner ; illustrated by Maya Gonzales ‧ RELEASE DATE: Sept. 14, 2021
A critical contribution to discussions of equal access and of systemic racism.
Separate but equal—even primary grade students understand this prejudicial oxymoron.
Separation is never equal. When the Lemon Grove School District’s board of trustees decided to expel every one of the 75 students who were of Mexican American descent in order to establish an all-White student body, the Lemon Grove Neighbor’s Committee—Comité de Vecinos de Lemon Grove—decided to take action. The Mexican consul in San Diego provided lawyers who filed on behalf of 12-year-old Roberto Alvarez in San Diego’s California Superior Court. Exploding the board of trustees’ assertion that the minority students were “backward and deficient,” Roberto himself, in fluent English, defended his position. This was the “first successfully fought school desegregation case in the United States.” On April 16, 1931, the decision was made public: “to immediately admit and receive…Roberto Alvarez, and all other pupils of Mexican parentage…without separation or segregation.” Brimner’s straightforward narrative follows Roberto Alvarez from his return to school after Christmas vacation only to be told he was no longer welcome to the day he was able to receive the same education as the White students. The substantial author’s note places this case in context with other desegregation cases in the U.S.—particularly in California. Gonzalez’s colorful and detailed mural-esque illustrations make the historical flavor of the times accessible.
A critical contribution to discussions of equal access and of systemic racism. (photos, sources, source notes) (Informational picture book. 8-11)Pub Date: Sept. 14, 2021
ISBN: 978-1-68437-195-2
Page Count: 40
Publisher: Calkins Creek/Boyds Mills
Review Posted Online: July 26, 2021
Kirkus Reviews Issue: Aug. 15, 2021
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PERSPECTIVES
by Ralph Fletcher ‧ RELEASE DATE: Nov. 13, 2018
Engaging episodes, not beyond the ken of the current generation and lit with just enough sentiment to give them a warm glow.
A second set of childhood memories from the author of Marshfield Dreams (2005)—these spun around the feeling of being an “in-betweener” in his family as eldest of eight (later nine) siblings.
Fletcher opens with an elaborate neighborhood map (“Marshfield was my Middle-earth,” he writes) and goes on in short chapters to recall the pleasures—and sometimes tribulations—of being a Boy Scout, playing marbles, joining a muddy scramble to gather a bucket full of frogs, having the house to himself for a day, getting a pocket transistor radio, and like treasured moments around age 10. Other memories, such as learning that a Sunday school acquaintance who shared his love for chocolate Necco Wafers had died and seeing his school bus driver Ruben Gonsalves silently watch his son get slapped (wondering since if the 1964 incident would have even happened in his “white town…but for the color of their skin”), spark more complex responses. In an epilogue he tallies other less halcyon memories, capped by the later death of a brother covered in greater detail in the previous volume. Still, like the mock funeral his friends gave him when he and his family moved away from Marshfield, readers will find these reminiscences “sad, funny, a little weird, and very sweet.”
Engaging episodes, not beyond the ken of the current generation and lit with just enough sentiment to give them a warm glow. (Memoir. 9-11)Pub Date: Nov. 13, 2018
ISBN: 978-1-62779-524-1
Page Count: 208
Publisher: Christy Ottaviano/Henry Holt
Review Posted Online: Sept. 29, 2018
Kirkus Reviews Issue: Oct. 15, 2018
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by Ralph Fletcher ; illustrated by Naoko Stoop
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by Elise Gravel ; illustrated by Elise Gravel ‧ RELEASE DATE: Sept. 24, 2019
A good introduction with unfortunate missed potential.
A straightforward and simple introduction to what being a refugee means, accompanied by glimpses into real refugees’ lives.
Sensibly depicted throughout the book as people of varying skin tones; with black, brown, blond, or red hair; of young or old age; and with or without glasses, headscarves, or facial hair, refugees are portrayed and described as “just like you and me.” They've been forced to flee their homes on account of danger, although many would have preferred to stay with friends and family, and are described as fortunate if they find a new country where they can live unremarkable lives. Gravel describes war, oppression, and discrimination as reasons to flee one’s country, but she misses natural disasters and environmental degradation as other potential reasons, and despite her repeated emphasis that refugees are “just like” readers, she highlights the stereotypical circumstance of refugee camps. The book ends with an engaging collection of portrayals of refugees: children from different countries speaking about their favorite things, followed by famous refugee women and men from around the world. Readers may find the single sentence that some countries “don’t want to welcome more refugees” inadequate. The emphasis on “more refugees” has the potential of shifting the conversation away from justice for refugees to justifying racist exclusionary policies.
A good introduction with unfortunate missed potential. (Informational picture book. 8-10)Pub Date: Sept. 24, 2019
ISBN: 978-0-593-12005-7
Page Count: 32
Publisher: Schwartz & Wade/Random
Review Posted Online: June 15, 2019
Kirkus Reviews Issue: July 1, 2019
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