by Lars Kepler ; translated by Neil Smith ‧ RELEASE DATE: July 31, 2018
The husband-and-wife team writing as Kepler piles on the atmosphere, shocks, and details that are just as unsparing...
You know you’ve arrived in the empyrean of Nordic noir when a multigenerational crimefest first translated into English in 2011 gets “a thrilling new translation” only seven years later.
Incredible but true: Whoever stabbed high school science teacher Anders Ek to death and began to dismember his body then turned to his wife and daughter and slaughtered them as well. The only survivors were Evelyn Ek, who was off at the university studying political science, and her teenage brother, Josef, who’s clinging to life after his own savage attack. Convinced that “someone wanted to wipe out an entire family, and probably thinks he’s succeeded,” Detective Joona Linna, of the National Crime Police, can think of nothing but finding and protecting Evelyn from the killer. To that end, he’s willing to take extreme measures. Unable to question the comatose Josef about his memories of the carnage, he asks trauma specialist Dr. Erik Maria Bark to put Josef into a hypnotic trance that will relax him enough to respond to a few questions. Although Erik hasn’t hypnotized anyone for 10 years, he eventually yields to Joona’s pressure, and all hell breaks loose, beginning with the fact that Josef’s testimony seems to implicate no one more damningly than himself. The fallout gives Erik as compelling a motive as Joona (The Sandman, 2018, etc.) for getting to the bottom of the mystery even as it cuts the ground out from under his feet, and a long, jagged flashback to the last time Erik hypnotized anyone hints that the current murder spree is only the tip of a very frigid iceberg.
The husband-and-wife team writing as Kepler piles on the atmosphere, shocks, and details that are just as unsparing psychologically as they are physically. The result is some memorably over-the-top plotting and a guarantee of sleepless nights that will only begin with the night you stay up reading.Pub Date: July 31, 2018
ISBN: 978-0-525-43312-5
Page Count: 576
Publisher: Vintage Crime/Black Lizard
Review Posted Online: April 30, 2018
Kirkus Reviews Issue: May 15, 2018
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by Lars Kepler ; translated by Alice Menzies
BOOK REVIEW
by Lars Kepler ; translated by Neil Smith
BOOK REVIEW
by Lars Kepler ; translated by Neil Smith
by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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BOOK TO SCREEN
by Alex Michaelides ‧ RELEASE DATE: Feb. 5, 2019
Amateurish, with a twist savvy readers will see coming from a mile away.
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Likes
36
New York Times Bestseller
IndieBound Bestseller
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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