A perceptive, kaleidoscopic, heartbreaking, and ultimately hopeful meditation on what it means to survive.
Amid the ruins of Astoria, a coastal country shaped by both mythology and natural disasters, a pirate’s daughter blazes her own path.
Thea’s mother, Clementine, was a scientist until her research indicating the threat of an impending volcanic eruption in their island region was dismissed by male peers—with devastating consequences. Rather than risk becoming a “reproductive commodity” for the survivors who fled to ancient Astorian ruins along the coast of a nearby continent, Clementine built herself and Thea a new home and legacy at sea. Three years later, 17-year-old Thea struggles to be more like her namesake, the goddess of cleverness and rationality, and to embody the brutal, pragmatic strength Clementine considers necessary for survival. After an opportunity to leave Clementine’s fleet swiftly turns nightmarish, Thea seeks peace and solitude near the settlement where childhood friend Wes now lives. Amid the slowly building tension and visceral immediacy of trauma and its aftermath, moments of adventure and discovery shine, reflecting the transformative potency of being seen and believed. Lyrical and wry by turns, Thea’s first-person narration deftly draws sophisticated connections between masterfully plotted past and present timelines and interstitial excerpts of myths as she finds her own ways to survive and slowly rejects patriarchal definitions of strength, control, and credibility. Most major characters are presumed White and straight; Wes is described as having darker skin and is cued as bi.
A perceptive, kaleidoscopic, heartbreaking, and ultimately hopeful meditation on what it means to survive. (Fantasy. 12-18)Pub Date: June 14, 2022
ISBN: 978-0-525-55406-6
Page Count: 272
Publisher: Dial Books
Review Posted Online: March 28, 2022
Kirkus Reviews Issue: April 15, 2022
BOOK REVIEW
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
A uniquely arranged bouquet of terrors, as disturbing as it is beautiful.
A family’s secrets rise to the surface as a young man investigates a suspected murder.
Evander, who’s 17 and lonely, never leaves his room in the manor on Hazelthorn Estate. He’s told he’s too fragile and is locked away “for his safety” while an elderly butler feeds him brain-addling “medicine.” But one night changes Evander’s life—and the manor’s future—forever. Byron Lennox-Hall, Evander’s billionaire guardian and the family’s patriarch, dies unexpectedly. Relatives descend upon Hazelthorn like vultures as a shocking twist reveals that Byron left everything to Evander alone. Without Byron around to keep his only grandchild and presumed heir, Laurence “Laurie” Lennox-Hall, away from his ward, Laurie and Evander become the unlikeliest of allies. When they were boys, Laurie attempted to kill Evander—but, maddeningly, Evander can’t stop thinking about him. He also suspects that someone murdered Byron. Drews’ latest starts off as a straightforward whodunit and turns into something that’s far more sinister—and delicious. From descriptions of moth-eaten decay to vivid floral imagery, Drews luxuriates in atmospheric prose. Their literary green thumb nurtures intertwining themes of monstrosity and abuse alongside yearning, first love, queerness, and mystery. The slow-burn romance at the root of this blend of gothic and body horror is as tender as it is unforgettable. Evander is cued as autistic, and main characters present white.
A uniquely arranged bouquet of terrors, as disturbing as it is beautiful. (author’s note) (Horror. 13-18)Pub Date: Oct. 28, 2025
ISBN: 9781250376299
Page Count: 368
Publisher: Feiwel & Friends
Review Posted Online: Aug. 2, 2025
Kirkus Reviews Issue: Sept. 1, 2025
BOOK REVIEW
BOOK REVIEW
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
