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THE NIGHT WE LOST HIM

A promising blueprint for a book that didn’t quite get written.

When their father dies on the cliffs of his California estate, estranged half-siblings unite to investigate possible foul play.

As Dave’s seventh novel opens, the reader learns something the characters don’t know: Hotel magnate Liam Noone did not fall by accident. He was pushed—by whom and for what reason are unclear. The police have deemed it an accident and closed the case, but his son, Sam, is not so sure. Though he hasn’t seen his half sister, Nora, in years, he shows up at her workplace in New York to ask her to go with him to California to investigate. This part of the story is told by Nora in the first person. We get a lot of information about Nora—she has recently lost both parents, she’s an authority on neuroarchitecture, she is engaged to a New York chef but has an ex in the wings—but somehow don’t get much of a feel for her as a person as she and Sam race around investigating leads and having defensive, snappy conversations. A second narrative thread begins 50 years in the past and follows the development of a romance between Liam and a woman named Cory, who is not one of his three ex-wives, nor is she a woman named Cece with whom he had a mysterious connection. The novel relies on the tension created by all these missing puzzle pieces to plunge swiftly forward, but there’s nothing really at stake—no strong suspects, no wrongly accused, no contested inheritance; it’s all just digging up the secrets of a dead person so his children can understand him now that it’s too late. Actually, nobody really understands each other in this book, and as the characters suspiciously keep each other at arm’s length, the effect extends to the reader as well. Other potentially interesting topics—neuroarchitecture (designing spaces that support emotional well-being), the high-end hotel business—are similarly set up but not explored.

A promising blueprint for a book that didn’t quite get written.

Pub Date: Sept. 17, 2024

ISBN: 9781668002933

Page Count: 320

Publisher: Marysue Rucci Books

Review Posted Online: July 4, 2024

Kirkus Reviews Issue: Aug. 1, 2024

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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INTO THE UNCUT GRASS

A sweet bedtime story.

A boy and his stuffed bear head into the woods.

Having captured readers’ attention with Born a Crime (2016), his bestselling memoir of growing up in South Africa, comedian and television host Noah has written a parable about decision-making. As he puts it in a brief prologue, “It’s about disagreements and difference—but it’s also about how we bridge those gaps and find what matters most, whether we’re parents or kids, neighbors, gnomes, or political adversaries. It’s a picture book, but it’s not a children’s book. Rather, it is a book for kids to share with parents and for parents to share with kids.” With plentiful illustrations by Hahn and in language aimed at young listeners, it tells the story of a small boy so impatient to start his Saturday adventures that he rebels against the rules of his household and heads out without brushing his teeth or making his bed, despite the reminders of his stuffed bear, Walter. “We can’t just run away,” protests the bear. “Your mother will miss you. And where will we sleep? And who will make us waffles?” “We’ll build our own house,” the boy responds. “And we’ll grow our own waffles!” From there, the pair go on their walkabout, encountering a garden gnome, a pair of snails, and a gang of animated coins who have lessons to offer about making choices. Though the author suggests in the introduction that adult readers might enjoy the book on their own, those looking for a follow-up to the memoir or a foray into adult fiction should be warned that this is not that book.

A sweet bedtime story.

Pub Date: Oct. 8, 2024

ISBN: 9780593729960

Page Count: 128

Publisher: One World/Random House

Review Posted Online: July 4, 2024

Kirkus Reviews Issue: Aug. 1, 2024

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