Either Horne was in Gehl’s pocket or vice versa, because this utterly seamless blend of story and art is an ingenious treat...
What’s wrong with Abuela Lola? Our birthday girl asked her three times for amusement-park tickets, and you know what? Abuela sent her a take-charge chicken styling yellow construction boots instead!
If that isn’t bad enough, the tool-belt–wearing denizen of the barnyard has subverted all the pigtailed Latina’s pets. Not a one has time for cake, no one wants to play, and everyone is ignoring the aggrieved narrator. To make matters worse, the chicken (via imperative-clause picket signs) demands that Abuela travel posthaste to the child’s backyard. Dogs wearing hard hats, birds hoisting girders, grandmas operating bulldozers—has the world gone mad? Gehl’s sparsely worded wink to Anne Isabella Ritchie’s evolving axiom, “Give a man a fish and you feed him for a day; teach a man to fish and you feed him for life,” is made into a masterpiece by Horne’s distinctive and humorously sly illustrations. The raucous colors pop against the wry, understated refrain, “I got a chicken for my birthday.” Practically every clever detail begs to be the center of attention. Is the chicken’s scrolled supply list with the sneakily embedded song lyrics the pièce de résistance, or is it the hamster powering the monstrous Ferris wheel? Visual puns compete with subtle tweaks to the funny bone, and each deserves to be savored in its own right.
Either Horne was in Gehl’s pocket or vice versa, because this utterly seamless blend of story and art is an ingenious treat for all ages. (Picture book. 3-8)Pub Date: March 1, 2018
ISBN: 978-1-5124-3130-8
Page Count: 36
Publisher: Carolrhoda
Review Posted Online: Dec. 20, 2017
Kirkus Reviews Issue: Jan. 15, 2018
This frenetic ode to fatherhood is predictable fare but may please series fans.
It’s time to look for the elusive Daddysaurus.
In this latest installment in the seemingly never-ending series about a group of diverse kids attempting to trap mythical creatures, the youngsters are now on the lookout for a big mauve dinosaur with an emblazoned D on his stomach and a superhero cape. The fast-moving Daddysaurus is always on the go; he will be difficult to catch. Armed with blueprints of possible ideas, the kids decide which traps to set. As in previous works, ones of the sticky variety seem popular. They cover barbells with fly paper (Daddysaurus like to exercise) and spread glue on the handle of a shovel (Daddysaurus also likes to garden). One clever trick involves tempting Daddysaurus with a drawing of a hole, taped to the wall, because he fixes everything that breaks. Daddysaurus is certainly engaged in the children’s lives, not a workaholic or absent, but he does fall into some standard tropes associated with fathers. The rhyming quatrains stumble at times but for the most part bounce along. Overall, though, text and art feel somewhat formulaic and likely will tempt only devotees of the series. The final page of the book (after Daddysaurus is caught with love) has a space for readers to write a note or draw a picture of their own Daddysaurus. (This book was reviewed digitally.)
This frenetic ode to fatherhood is predictable fare but may please series fans. (Picture book. 4-8)Pub Date: April 1, 2023
ISBN: 978-1-72826-618-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: Jan. 11, 2023
Kirkus Reviews Issue: Feb. 1, 2023
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BOOK REVIEW
It’s not whether you win or lose; it’s how many mediocre sequels you can squeeze out of Seussian property.
Since a reformed Grinch is hardly any fun, this follow-up Grinches him up once more.
Those seeking more of the same, prepare to receive precisely that. Christmas is coming (again!), and the Grinch can hardly wait. He’s been patient all year, and now he can finally show the Whos down in Who-ville how much he’s changed. When the Grinch learns of a tree-decorating contest, he figures that if he wins, it’ll prove he truly has the Christmas spirit. He throws himself into the task, but when it comes time to judge the trees, the Grinch is horrified to discover that he’s received only the second-place trophy. Can Cindy-Lou Who find the words to save the day? Replicating many of the original beats and wordplay of the original, this tale feels like less a sequel and more like a vaguely rewritten variation. Meanwhile, Ruiz’s art seeks to bridge the gap between the animated Chuck Jones version of the Grinch and the one depicted in the original book. This thankless task results in a strange uncanny valley between Seuss and Jones but does allow the artist a chance to colorize everything and lend some racial diversity to the Who population (Cindy-Lou is light-skinned). (This book was reviewed digitally.)
It’s not whether you win or lose; it’s how many mediocre sequels you can squeeze out of Seussian property. (Picture book. 3-6)Pub Date: Sept. 5, 2023
ISBN: 9780593563168
Page Count: 40
Publisher: Random House
Review Posted Online: Aug. 15, 2023
Kirkus Reviews Issue: Sept. 1, 2023
BOOK REVIEW
BOOK REVIEW
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