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DADDY, ME, AND THE MAGIC HOUR

The magic hour reveals the magical bond between a father and son.

A dad and his child share the time between sundown and dark exploring their world together.

Returning home from work and school, dad starts dinner while mom feeds the baby. But after dinner, it’s the titular Magic Hour, time for just father and the T-shirt–and-shorts–clad narrator to enjoy a post-dinner walk. As they wander, the protagonist’s red plastic bucket fills with found treasures that mark the highlights of the evening. A woman watering roses donates one after a playful sprinkle; the child pets a friendly dog, and then child and dad use the dog’s stick to play tic-tac-toe and to fence. They tickle each other with some bird feathers and swing hand in hand on the playground. Calm descends as the light in the illustrations fades. Crickets chirp; the duo catch fireflies in their hands. Dad swings the child up on his shoulders: “Together, we make a quiet giant / who can almost reach the moon.” The final page shows Mommy tucking the protagonist in. She has the rose and a daisy also gathered on the walk, and the bucket and treasures are prominently displayed. Rich’s characters are delightfully expressive, the narrator’s exuberance and wonder sometimes barely contained. And it’s clear that the father cherishes his bond with his child. All four family members have light-brown skin and dark hair; the people in their neighborhood are diverse.

The magic hour reveals the magical bond between a father and son. (Picture book. 3-8)

Pub Date: May 1, 2018

ISBN: 978-1-5107-0791-7

Page Count: 32

Publisher: Sky Pony Press

Review Posted Online: March 17, 2018

Kirkus Reviews Issue: April 1, 2018

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HANSEL AND GRETEL

Menacing and most likely to appeal to established fans of its co-creators.

Existing artwork from an artistic giant inspires a fairy-tale reimagination by a master of the horror genre.

In King’s interpretation of a classic Brothers Grimm story, which accompanies set and costume designs that the late Sendak created for a 1997 production of Engelbert Humperdinck’s opera, siblings Hansel and Gretel survive abandonment in the woods and an evil witch’s plot to gobble them up before finding their “happily ever after” alongside their father. Prose with the reassuring cadence of an old-timey tale, paired with Sendak’s instantly recognizable artwork, will lull readers before capitalizing on these creators’ knack for injecting darkness into seemingly safe spaces. Gaping faces loom in crevices of rocks and trees, and a gloomy palette of muted greens and ocher amplify the story’s foreboding tone, while King never sugarcoats the peach-skinned children’s peril. Branches with “clutching fingers” hide “the awful enchanted house” of a “child-stealing witch,” all portrayed in an eclectic mix of spot and full-bleed images. Featuring insults that might strike some as harsh (“idiot,” “fool”), the lengthy, dense text may try young readers’ patience, and the often overwhelmingly ominous mood feels more pitched to adults—particularly those familiar with King and Sendak—but an introduction acknowledges grandparents as a likely audience, and nostalgia may prompt leniency over an occasional disconnect between words and art.

Menacing and most likely to appeal to established fans of its co-creators. (Picture book. 4-8)

Pub Date: Sept. 2, 2025

ISBN: 9780062644695

Page Count: 48

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 15, 2025

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CARPENTER'S HELPER

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.

A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.

Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)

Pub Date: March 16, 2021

ISBN: 978-0-593-12320-1

Page Count: 40

Publisher: Schwartz & Wade/Random

Review Posted Online: Jan. 12, 2021

Kirkus Reviews Issue: Feb. 1, 2021

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