PROM MOM

Prom Mom and Cad Dad reunite decades after the tabloid crime that blew up their lives.

Amber Glass was never Joe Simpson's girlfriend; she was his tutor in high school, and though he was having sex with her, he would not have been going to the prom with her if his main squeeze hadn't dumped him. She hid her pregnancy until prom night, when she gave birth in a hotel bathroom to a 28-week-old preemie, whom she served time in a juvenile facility for murdering. Decades later, she moves back to their shared hometown of Baltimore and opens an outsider art gallery with her notorious name on the marquee. When they reconnect, as was her intention, Joe is adding her to a full dance card: He's married to his college girlfriend, the beautiful Meredith, now a successful plastic surgeon, and he's sleeping with Jordan Altman, a younger real estate agent from his company. What a mess for poor Joe, who is also hit with major financial troubles when the pandemic spoils his plans to flip an unpromising suburban shopping center. Except, who cares about Joe? Lippman seems to have purposely given the reader no one to root for in this unusual psychological suspense novel in which no crimes are committed or revealed until the final pages. All the characters are described as physically attractive but are unappealing otherwise; the relationships of the three female characters to the soulless, creepy, narcissistic Joe are inexplicable. This gives the book a coldblooded quality, a refusal to sentimentalize victims or to make bad actors into romantic antiheroes. As usual, Lippman creates a convincing portrait of a particular sector of Baltimore, this time well-heeled professionals in the northern part of town, and adds New Orleans to the mix as well, with a king cake and a side order of red beans working as plot points.

A character study of pedestrian evil in the Wegmans-and-Peloton class, fascinating in its heartlessness.