Clever, well-paced, laced with humor and insight—damn fine short stories.
Playful tales of misdeeds great and small from the prolific mystery author.
Lippman fans will be glad to hear that the first two stories in her second collection of short fiction—after Hardly Knew Her (2008)—feature Tess Monaghan, now-retired private investigator and star of a dozen mystery novels. The first, the title story, is about a long con featuring the wise child of a grifter dad; the second is a very Baltimorean story set in a children's bookstore with an ongoing shoplifting problem. The third story features a couple that insiders will recognize as Tess' parents in the years before she was born. Though Judith Monaghan is "The Everyday Housewife," her powers of observation and interest in the lives of others presage her daughter's talents—as one character points out, "It's a thin line between gossip and espionage." The remaining nine stories take on a sparkling array of everyday cheaters, liars, egotists, and sexist pigs. In "Slow Burner," a perfectly pleasant high school teacher "has been spying on [her husband] for so long it's hard to remember what she might know and what she can't know." But as her students point out during their mythology unit, "Hades is a kidnapper, plain and simple. Why should Persephone be punished for eating a few seeds?...To teenagers, the gods are like adults, taking themselves much too seriously, demanding respect they have not earned, changing the rules as it suits them while torturing the puny mortals in their care." Oof. As the author explains in an interesting afterword, the stories—four of which, she proudly notes, do not a include a dead body—were written between 2007 and 2019 and had to be updated slightly to conform to current standards. Sensitivity, however, only goes so far with a crime novelist. When the pandemic comes along in the last story, "Just One More," it only makes murder more acceptable. "Hundreds of people were dying every day. What was one more body on the pile?"
Clever, well-paced, laced with humor and insight—damn fine short stories.Pub Date: Jan. 4, 2022
ISBN: 978-0-06-300003-2
Page Count: 336
Publisher: Morrow/HarperCollins
Review Posted Online: Dec. 23, 2021
Kirkus Reviews Issue: Jan. 15, 2022
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
I Who Have Never Known Men ($22.00; May 1997; 224 pp.; 1-888363-43-6): In this futuristic fantasy (which is immediately reminiscent of Margaret Atwood's The Handmaid's Tale), the nameless narrator passes from her adolescent captivity among women who are kept in underground cages following some unspecified global catastrophe, to a life as, apparently, the last woman on earth. The material is stretched thin, but Harpman's eye for detail and command of tone (effectively translated from the French original) give powerful credibility to her portrayal of a human tabula rasa gradually acquiring a fragmentary comprehension of the phenomena of life and loving, and a moving plangency to her muted cri de coeur (``I am the sterile offspring of a race about which I know nothing, not even whether it has become extinct'').
Pub Date: May 1, 1997
ISBN: 1-888363-43-6
Page Count: 224
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1997
BOOK REVIEW
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
