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SEASONAL WORK

Clever, well-paced, laced with humor and insight—damn fine short stories.

Playful tales of misdeeds great and small from the prolific mystery author.

Lippman fans will be glad to hear that the first two stories in her second collection of short fiction—after Hardly Knew Her (2008)—feature Tess Monaghan, now-retired private investigator and star of a dozen mystery novels. The first, the title story, is about a long con featuring the wise child of a grifter dad; the second is a very Baltimorean story set in a children's bookstore with an ongoing shoplifting problem. The third story features a couple that insiders will recognize as Tess' parents in the years before she was born. Though Judith Monaghan is "The Everyday Housewife," her powers of observation and interest in the lives of others presage her daughter's talents—as one character points out, "It's a thin line between gossip and espionage." The remaining nine stories take on a sparkling array of everyday cheaters, liars, egotists, and sexist pigs. In "Slow Burner," a perfectly pleasant high school teacher "has been spying on [her husband] for so long it's hard to remember what she might know and what she can't know." But as her students point out during their mythology unit, "Hades is a kidnapper, plain and simple. Why should Persephone be punished for eating a few seeds?...To teenagers, the gods are like adults, taking themselves much too seriously, demanding respect they have not earned, changing the rules as it suits them while torturing the puny mortals in their care." Oof. As the author explains in an interesting afterword, the stories—four of which, she proudly notes, do not a include a dead body—were written between 2007 and 2019 and had to be updated slightly to conform to current standards. Sensitivity, however, only goes so far with a crime novelist. When the pandemic comes along in the last story, "Just One More," it only makes murder more acceptable. "Hundreds of people were dying every day. What was one more body on the pile?"

Clever, well-paced, laced with humor and insight—damn fine short stories.

Pub Date: Jan. 4, 2022

ISBN: 978-0-06-300003-2

Page Count: 336

Publisher: Morrow/HarperCollins

Review Posted Online: Dec. 23, 2021

Kirkus Reviews Issue: Jan. 15, 2022

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BURY OUR BONES IN THE MIDNIGHT SOIL

A beautiful meditation on queer identity against a supernatural backdrop.

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Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).

In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.

A beautiful meditation on queer identity against a supernatural backdrop.

Pub Date: June 10, 2025

ISBN: 9781250320520

Page Count: 544

Publisher: Tor

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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THE WEDDING PEOPLE

Uneven but fitfully amusing.

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Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.

Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.

Uneven but fitfully amusing.

Pub Date: July 30, 2024

ISBN: 9781250899576

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Sept. 13, 2024

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