by Laura Logan ; illustrated by Laura Logan ‧ RELEASE DATE: Feb. 9, 2016
Avoid this confusing fantasy and instead seek out one of the many excellent books that directly discuss the monarch’s...
When her cat injures the wing of a monarch butterfly at the opening of this wordless story, the blonde little white girl is delighted to discover that the creature can still fly.
Curling up under her orange cape for a nap in the grass, she is soon covered with a blanket of monarchs, who carry her over land and sea to a grove of trees covered in butterflies. Alighting, she sprouts monarch wings of her own and then, abruptly, is depicted lying on the ground again. Working with pencils and digital media, Logan uses a controlled palette: the butterflies, the girl’s cape, and a few leaves and flowers are orange; the water and occasional patches of sky are blue; everything else is soft gray. A rent in the girl’s cape together with its color connect her visually with the injured butterfly, a detail children will appreciate. They will, however, be puzzled by much else, starting with the story’s ambiguity: is her journey real, or is it a dream? The pictorial clues are mixed. How does the little girl grasp all those butterflies? And, having established the visual leitmotif of the torn wing, Logan disappoints readers by not clearly depicting the girl’s special friend during the fantastical flight. In a note, Logan describes her feeling of wonder at butterfly migration.
Avoid this confusing fantasy and instead seek out one of the many excellent books that directly discuss the monarch’s amazing journey. (Picture book. 4-7)Pub Date: Feb. 9, 2016
ISBN: 978-0-06-228126-5
Page Count: 32
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: Nov. 10, 2015
Kirkus Reviews Issue: Dec. 1, 2015
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by Vijaya Bodach ; illustrated by Laura Logan
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by Ann Hodgman ; illustrated by Laura Logan
by Riel Nason ; illustrated by Byron Eggenschwiler ‧ RELEASE DATE: Sept. 1, 2020
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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by Riel Nason ; illustrated by Byron Eggenschwiler
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by Aaron Reynolds ; illustrated by Peter Brown ‧ RELEASE DATE: Aug. 21, 2012
Serve this superbly designed title to all who relish slightly scary stories.
Awards & Accolades
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New York Times Bestseller
IndieBound Bestseller
Caldecott Honor Book
Kids know vegetables can be scary, but rarely are edible roots out to get someone. In this whimsical mock-horror tale, carrots nearly frighten the whiskers off Jasper Rabbit, an interloper at Crackenhopper Field.
Jasper loves carrots, especially those “free for the taking.” He pulls some in the morning, yanks out a few in the afternoon, and comes again at night to rip out more. Reynolds builds delicious suspense with succinct language that allows understatements to be fully exploited in Brown’s hilarious illustrations. The cartoon pictures, executed in pencil and then digitally colored, are in various shades of gray and serve as a perfectly gloomy backdrop for the vegetables’ eerie orange on each page. “Jasper couldn’t get enough carrots … / … until they started following him.” The plot intensifies as Jasper not only begins to hear the veggies nearby, but also begins to see them everywhere. Initially, young readers will wonder if this is all a product of Jasper’s imagination. Was it a few snarling carrots or just some bathing items peeking out from behind the shower curtain? The ending truly satisfies both readers and the book’s characters alike. And a lesson on greed goes down like honey instead of a forkful of spinach.
Serve this superbly designed title to all who relish slightly scary stories. (Picture book. 4-7)Pub Date: Aug. 21, 2012
ISBN: 978-1-4424-0297-3
Page Count: 40
Publisher: Simon & Schuster
Review Posted Online: May 1, 2012
Kirkus Reviews Issue: Aug. 1, 2012
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by Aaron Reynolds ; illustrated by Cam Kendell
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