Using a premise similar to the plot in Jan Brett’s Berlioz the Bear (1991), this much simpler tale uses rhyme and repetition to delight young readers who will revel in the predictable result of the bee’s entrance into the story. Each animal claims he is bigger than the one before it and is sure that he can get the billy goat out of the garden—but of course, the “billy goat will NOT COME OUT.” That simple refrain carries the tale forward as one animal after another sniffs and sorts or clips and clops in an effort to move the billy goat out of the garden. In the end it is not bigger and better but the tiny bee that accomplishes the task as he buzzes all about. Basing her story on a Puerto Rican folktale, Gugler (Facing the Day, not reviewed, etc.) has created a retelling that begs the active participation of young listeners. Repeated readings will engage very young listeners and will invite independent readings by a slightly older child. Beaton’s (Never Say Boo to a Goose, 2002, etc.) clever, felt appliqués are enhanced with beads, buttons, and stitching that seem perfectly suited to a tale that portrays the goat as being in the garden surrounded by clothing on the line and flowers sprouting from the green grass. This rhythm-filled tale is a perfect choice for those libraries serving the youngest of readers. (Picture book. 3-7)
Pub Date: March 1, 2003
ISBN: 1-84148-089-4
Page Count: 32
Publisher: Barefoot Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2003
BOOK REVIEW
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
Hee haw.
The print version of a knee-slapping cumulative ditty.
In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.
Hee haw. (Picture book. 5-7)Pub Date: May 1, 2010
ISBN: 978-0-545-26124-1
Page Count: 26
Publisher: Scholastic
Review Posted Online: Dec. 28, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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