by Laurel Goodluck ; illustrated by Madelyn Goodnight ‧ RELEASE DATE: Oct. 10, 2023
Joyfully inspiring.
A tribute to moccasins and the Indigenous kids who sport them.
It’s Rock Your Mocs Week! Children from tribes throughout Turtle Island don their moccasins with pride, celebrating their cultures and traditions as they dance, play, and attend school. The diversity of activities that the kids engage in makes it clear that mocs don’t need to be special-occasion footwear donned only for ceremony. With each page turn, readers learn more about the significance of mocs: They are works of art, repositories of cultural knowledge, and, above all, a way to “honor our deep-rooted traditions while adapting to our sacred present.” The book depicts a variety of moccasin styles and materials, worn by children from tribes throughout the United States and Canada. A pronunciation guide at the beginning of the story helps readers work out potentially unfamiliar words from different Indigenous languages. Both informative and inspiring, Goodluck’s (Mandan/Hidatsa) text is concise. The upbeat tone is echoed in Goodnight’s (Chickasaw Nation) bright illustrations, which feature people in urban, suburban, and rural landscapes. The children and adults are diverse in skin tone and hair texture. Backmatter explains the origins of Rock Your Mocs Day (and later Week) and discusses the cultural significance of moccasins. (This book was reviewed digitally.)
Joyfully inspiring. (note from editor Cynthia Leitich Smith) (Picture book. 4-8)Pub Date: Oct. 10, 2023
ISBN: 9780063099890
Page Count: 32
Publisher: Heartdrum
Review Posted Online: July 26, 2023
Kirkus Reviews Issue: Aug. 15, 2023
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by James Dean ; illustrated by James Dean ‧ RELEASE DATE: Sept. 18, 2018
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
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by Drew Daywalt ; illustrated by Oliver Jeffers ‧ RELEASE DATE: Dec. 24, 2019
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
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