Young ballet lovers will be smitten with the story.
A poor Russian girl enchants the world with her romantic ballet performances.
Pavlova was born in Czarist Russia, the daughter of a laundry woman. When her mother took her to a ballet performance, she was spellbound. After waiting two years to be accepted, she rose through the ranks of the Imperial Ballet School despite having what was considered an imperfect body. She excelled in the great 19th-century romantic roles and made “The Dying Swan,” with music from The Carnival of the Animals, by Camille Saint-Saëns, her signature piece. Pavlova traveled around the world sharing her gift and teaching, passing up 20th-century ballets choreographed to modern music and always enchanting audiences with her incomparable style. Snyder writes in the present tense in a delicate and poetic voice that mirrors Pavlova’s onstage persona. Morstad’s art, a combination of ink, gouache, graphite, pencil, and crayon, evokes beautiful Russian cityscapes, while scenes set in a dance studio effectively make use of a white background to showcase a solitary dancing beauty. Falling snow and images of flowers and feathers reappear through the pages as motifs of Pavlova’s childhood, her passion for dance, and her too-young death.
Young ballet lovers will be smitten with the story. (author’s note, bibliography, quotation sources) (Picture book/biography. 6-9)Pub Date: Aug. 1, 2015
ISBN: 978-1-4521-1890-1
Page Count: 52
Publisher: Chronicle Books
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A welcome, well-researched reflection of cultural pride in the early-reader landscape.
The fourth installment in Delacre’s early-reader series centers on the rich musical traditions of Puerto Rico, once again featuring sibling tree frogs Rafi and Rosi Coquí.
Readers learn along with Rafi and Rosi as they explore bomba, plena, and salsa in three chapters. A glossary at the beginning sets readers up well to understand the Spanish vocabulary, including accurate phoneticization for non-Spanish speakers. The stories focus on Rafi and Rosi’s relationship within a musical context. For example, in one chapter Rafi finds out that he attracts a larger audience playing his homemade güiro with Rosi’s help even though he initially excluded her: “Big brothers only.” Even when he makes mistakes, as the older brother, Rafi consoles Rosi when she is embarrassed or angry at him. In each instance, their shared joy for music and dance ultimately shines through any upsets—a valuable reflection of unity. Informational backmatter and author’s sources are extensive. Undoubtedly these will help teachers, librarians, and parents to develop Puerto Rican cultural programs, curriculum, or home activities to extend young readers’ learning. The inclusion of instructions to make one’s own homemade güiro is a thoughtful addition. The Spanish translation, also by Delacre and published simultaneously, will require a more advanced reader than the English one to recognize and comprehend contractions (“pa’bajo-pa-pa’rriba”) and relatively sophisticated vocabulary.
A welcome, well-researched reflection of cultural pride in the early-reader landscape. (Early reader. 7-9)Pub Date: Sept. 17, 2019
ISBN: 978-0-89239-429-6
Page Count: 64
Publisher: Children's Book Press
Review Posted Online: July 27, 2019
Kirkus Reviews Issue: Aug. 15, 2019
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...
Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.Pub Date: Sept. 1, 2011
ISBN: 978-1-58536-688-0
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
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