Skip this tale of wish fulfilment gone wrong.
A pint-sized king’s boredom and his easy access to a wizard result in a series of messes.
Dark-skinned Jasper’s got quite the life: ruling from a throne of pillows, eating ice cream every afternoon, reading and coloring. But one day he wants something more. His solution is to ask the white wizard for a dragon—excitement personified. The wizard’s not too sure, but since Jasper is the king, “poof!” Excitement comes with a trail of fires it leaves in its wake. The robots the wizard calls forth to stamp out the fires only wreak more havoc, and the superheroes summoned to rein in the robots raise jealousy among the kingdom’s kids when they see Jasper being flown about. An army of kittens is surely the answer. They do stop the kids’ wailing but cause other problems, especially with Janey, a white girl with allergies. She does help Jasper realize, though, that perhaps the something more he was searching for was a friend, though Snyder never makes this message overt; kids may miss it, especially since they will be wondering why a king with a wizard is cleaning up the mess by hand. Damant’s illustrations portray a diverse cast with wide eyes that lack eyelids, giving the people a manic look, and the kittens will have adults imagining candy-colored Felix the Cats.
Skip this tale of wish fulfilment gone wrong. (Picture book. 4-8)Pub Date: Sept. 5, 2017
ISBN: 978-1-62336-874-6
Page Count: 32
Publisher: Rodale Kids
Review Posted Online: July 2, 2017
Kirkus Reviews Issue: July 15, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A must-own adaptation chock-full of such stuff as kids’ dreams are—and will be—made on.
Mirth, magic, and mischief abound in this picture-book retelling of one of Shakespeare’s most famous plays.
Ariel, the beloved sprite whose conjurings precipitate the eponymous tempest, gets top billing in this adaptation and recounts the narrative in the first person. Through Ariel’s eyes, readers are introduced to the powerful Prospero, his lovely daughter, Miranda, and the shipwrecked nobles who are brought to the island to right an ancient wrong. Ellinas’ picture book largely divests the tale of its colonialist underpinnings and breathes three-dimensional complexity into the major and minor characters. Caliban, for instance, is monstrous due to his callous treatment of Ariel rather than because he is racially coded as savage. Another delightful change is the depiction of Miranda, who emerges as an athletic, spirited, and beautiful nature-child whose charms are understandably irresistible to Prince Ferdinand. The text is perfectly matched by Ray’s jaw-droppingly beautiful illustrations, which will enchant readers from the front cover to the final curtain. The greens of the waters and the blues of the island’s night sky are so lush and inviting that readers will wish they could enter the book. Peppered throughout the story are italicized fragments of Shakespeare’s dialogue, giving both young and older readers something to enjoy. Large, granite-colored Caliban is plainly nonhuman; the human characters present white; Ariel is a translucent, paper white.
A must-own adaptation chock-full of such stuff as kids’ dreams are—and will be—made on. (Picture book. 4-8)Pub Date: April 7, 2020
ISBN: 978-1-5362-1144-3
Page Count: 32
Publisher: Candlewick
Review Posted Online: Nov. 23, 2019
Kirkus Reviews Issue: Dec. 15, 2019
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
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